Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age hero image.
Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age
This special collection addresses the convergence of modernism and digital technology, and their disruption of traditional methods of art creation. More precisely, it examines how digital technologies’ disturbance and reconstruction of existing cultural tenets allude to the creative processes triggered by modernists who set off to change the ways art represents the world in the beginning of the last century. Just as modernist trends in literature, performance and visual art were seen as a form of rebellion against the obsolete 19th-century frameworks of culture production, this special collection posits that digital technologies have the same transformative effects on cultural artefacts of the contemporary. Deviating from existing ontological discussions on digital media and traditional approaches to modernist art, Binary Modernisms adopts a more interdisciplinary outlook towards reading the relationship between technology and visual culture. Guest edited by Zlatina Nikolova.

Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Binary Modernisms: An Introduction
Binary Modernisms: An Introduction

Zlatina Nikolova

2022-06-21 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

ringl + pit: (Un)figuring the New Woman
ringl + pit: (Un)figuring the New Woman

Stephanie Danielle Bender

2022-01-11 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces
'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces

Diogo Marques

2022-01-13 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang
Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang

Zach Pearl

2022-01-14 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka
From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka

Karolina Koczynska

2022-01-18 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media
The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media

Donal Harris

2022-01-20 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear
Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear

Riley Hanick

2022-02-04 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"
Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"

Filipa da Gama Calado

2022-02-14 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

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Special Collections