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The Working-Class Avant-Garde
‘Barbaric Peoples of the Earth’: The Avant-Garde and the Revolt Against Civilisation
Louis Armand
2020-04-17 Volume 6 • Issue 1 • 2020 • 10
Also a part of:
Erotic Class Masquerade: Sex and Working-Class Dialect in D.H. Lawrence’s Lady Chatterley’s Lover
Courtney Pina Miller
2020-04-30 Volume 6 • Issue 1 • 2020 • 13
Also a part of:
Black Country Dionysus —Archie Hill and A Cage of Shadows
Nick Lee
2020-06-18 Volume 6 • Issue 1 • 2020 • 23
Also a part of:
Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird
David Wilkinson
2020-09-09 Volume 6 • Issue 2 • 2020 • 11
Also a part of:
The Problem with Steel: Garth Evans’ Placement with the British Steel Corporation (1968–71)
Katherine Jackson
2020-12-21 Volume 6 • Issue 2 • 2020 • 30
Also a part of:
'Unity in Diversity': Centralised British Identity in the Post-War Work of Robert Colquhoun and William Scott
Alexandra Bickley Trott
2022-06-20 Volume 8 • Issue 1 • 2022
Also a part of:
‘The Substance of Paint’: Class and Materiality in the Work of Ralph Balson
Georgina O'Donnell Cole and Shane Michael Haseman
2023-11-06 Volume 9 • Issue 2 • 2023
Also a part of:
Henry Moore: Neo-Working-Classicist
Robert James Sutton
2024-05-23 Volume 10 • Issue 1 • 2024
Also a part of:
Special Collections
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Humour as a Human Right
Cultural Heritage Data for Research: Opening Museum Collections, Project Data and Digital Images for Research, Query and Discovery
Literature as Imaginary Archive: Ephemera and Modern Literary Production
Caliban's Mirror: Reflections of James Joyce and Oscar Wilde
Cultural Representations of Machine Vision
The Public Curatorship of the Medieval Past
Medieval Minds and Matter
Representing the Medieval in Popular Culture: Remembering the Angevins
The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty
Production Archives 03: Archival Practices
Production Archives 02: Production Contexts
Production Archives 01: Puppets for Action
Representing Classical Music in the Twenty-First Century
The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine
Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age
Local and Universal in Irish Literature and Culture
Reading in Ruins: Exploring Posthumanist Narrative Studies
The Language of Perspective
Nancy Astor, Public Women and Gendered Political Culture in Interwar Britain
The Working-Class Avant-Garde
Colonialities in Dispute: Discourses on Colonialism and Race in the Spanish State
Powering the Future: Energy Resources in Science Fiction and Fantasy
Writers and Intellectuals on Britain and Europe, 1918–2018
Literature, Law and Psychoanalysis
Muslims in the Media
Encounters between Asian and Western Art in the 20th and 21st centuries: a liberating influence for Asia?
Waste: Disposability, Decay, and Depletion
Pride Revisited: Cinema, Activism and Re-Activation
New Approaches to Late Medieval Court Records
Utopian Art and Literature from Modern India
Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives
Representing Climate: Local to Global
Cultivating Spheres: Agriculture, Technical Communication, and the Publics
Freedom After Neoliberalism
The Medieval Brain
Remaking Collections
New Approaches to Medieval Water Studies
Imaginaries of the Future 01: Bodies and Media
Imaginaries of the Future 02: Politics, Poetics, Place
Imaginaries of the Future 03: Utopia at the Border
Postcolonial Perspectives in Game Studies
Station Eleven and Twenty-First-Century Writing
#Agreement20
What’s Left? Marxism, Literature and Culture in the 21st Century
New Voices in Jewish-American Literature
Authors, Narratives, and Audiences in Medieval Saints’ Lives
From TV To Film
American Literature & the Transnational Marketplace
Mnemosyne
Healing Gods, Heroes and Rituals in the Graeco-Roman World
The Abolition of the University