Articles

407 results

‘Things We’d Rather Forget’: Trauma, the Troubles, and Magical Realism in Post-Agreement Northern Irish Women’s Short Stories
‘Things We’d Rather Forget’: Trauma, the Troubles, and Magical Realism in Post-Agreement Northern Irish Women’s Short Stories

Dawn Miranda Sherratt-Bado

Volume 4 • Issue 2 • 2018 • 12

Also a part of:

Special Collection: #Agreement20

Mental Health and Homicide in Medieval English Trials
Mental Health and Homicide in Medieval English Trials

Wendy J. Turner

Volume 4 • Issue 2 • 2018 • 11

Also a part of:

Special Collection: The Medieval Brain

Between Re-production and Re-presentation: The Implementation of Photographic Art Reproduction in the Documentation of Museum Collections Online
Between Re-production and Re-presentation: The Implementation of Photographic Art Reproduction in the Documentation of Museum Collections Online

Sarah Kreiseler

Volume 4 • Issue 2 • 2018 • 10

Orchestrating Overviews: A Synoptic Approach to the Visualization of Cultural Collections
Orchestrating Overviews: A Synoptic Approach to the Visualization of Cultural Collections

Florian Windhager, Saminu Salisu, Günther Schreder and Eva Mayr

Volume 4 • Issue 2 • 2018 • 9

Also a part of:

Special Collection: Remaking Collections

‘Another World Just out of Sight’: Remembering or Imagining Utopia in Emily St. John Mandel’s Station Eleven
‘Another World Just out of Sight’: Remembering or Imagining Utopia in Emily St. John Mandel’s Station Eleven

Matthew Leggatt

Volume 4 • Issue 2 • 2018 • 8

Also a part of:

Special Collection: Station Eleven and Twenty-First-Century Writing

Incomplete Peace and Social Stagnation: Shortcomings of the Good Friday Agreement
Incomplete Peace and Social Stagnation: Shortcomings of the Good Friday Agreement

Amanda Hall

Volume 4 • Issue 2 • 2018 • 7

Also a part of:

Special Collection: #Agreement20

Alien and the New Enclosures
Alien and the New Enclosures

Harry Warwick

Volume 4 • Issue 2 • 2018 • 6

Also a part of:

Special Collection: What’s Left? Marxism, Literature and Culture in the 21st Century

Plasticity, the Genetics of Difference, and the Repair of Utopia
Plasticity, the Genetics of Difference, and the Repair of Utopia

Jennifer Wagner-Lawlor

Volume 4 • Issue 2 • 2018 • 5

Also a part of:

Special Collection: Imaginaries of the Future 01: Bodies and Media

City Limits: Boundary Conditions and the Building-Cities of Science Fiction
City Limits: Boundary Conditions and the Building-Cities of Science Fiction

Amy Butt

Volume 4 • Issue 2 • 2018 • 4

Also a part of:

Special Collection: Imaginaries of the Future 03: Utopia at the Border

Thinking Wetly: Causeways and Communities in East Anglian Hagiography
Thinking Wetly: Causeways and Communities in East Anglian Hagiography

Rebecca Pinner

Volume 4 • Issue 2 • 2018 • 3

Also a part of:

Special Collection: New Approaches to Medieval Water Studies

Re-Imagining Artistic Subjectivities within Community Projects
Re-Imagining Artistic Subjectivities within Community Projects

Kate Heron Pahl and Steve Pool

Volume 4 • Issue 2 • 2018 • 2

Also a part of:

Special Collection: Imaginaries of the Future 01: Bodies and Media

Form at its Limits: Edward Said, Marxism, and the Valences of Critique
Form at its Limits: Edward Said, Marxism, and the Valences of Critique

Robert Cashin Ryan and James Fitz Gerald

Volume 4 • Issue 2 • 2018 • 1

Also a part of:

Special Collection: What’s Left? Marxism, Literature and Culture in the 21st Century

Ladies, Gentlemen, and Scientific Publication at the Royal Society, 1945–1990
Ladies, Gentlemen, and Scientific Publication at the Royal Society, 1945–1990

Camilla Mørk Røstvik and Aileen Fyfe

Volume 4 • Issue 1 • 2018 • 37

Pseudo-Arabic and the Material Culture of the First Crusade in Norman Italy: The Sanctuary Mosaic at San Nicola in Bari
Pseudo-Arabic and the Material Culture of the First Crusade in Norman Italy: The Sanctuary Mosaic at San Nicola in Bari

Clare Vernon

Volume 4 • Issue 1 • 2018 • 36

Co-Producing Collections: Re-imagining a Polyvocal Past with Cultural Probes
Co-Producing Collections: Re-imagining a Polyvocal Past with Cultural Probes

Tom Schofield, Daniel Foster-Smith, Gönül Bozoğlu and Christopher Whitehead

Volume 4 • Issue 1 • 2018 • 35

Also a part of:

Special Collection: Remaking Collections

Surplus-Value: Surplus Image
Surplus-Value: Surplus Image

John Hillman

Volume 4 • Issue 1 • 2018 • 34

Also a part of:

Special Collection: What’s Left? Marxism, Literature and Culture in the 21st Century

Decolonising the Games Curriculum: Interventions in an Introductory Game Design Course
Decolonising the Games Curriculum: Interventions in an Introductory Game Design Course

Hanli Geyser

Volume 4 • Issue 1 • 2018 • 33

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

George Oates: Making and Remaking Collections Online
George Oates: Making and Remaking Collections Online

George Oates and Mitchell Whitelaw

Volume 4 • Issue 1 • 2018 • 32

Also a part of:

Special Collection: Remaking Collections

Many a Footnote and Afterword: Dubravka Ugrešić and the Essay
Many a Footnote and Afterword: Dubravka Ugrešić and the Essay

Téa Rokolj

Volume 4 • Issue 1 • 2018 • 31

Cinematic Doppelgängers: Twin Peaks as a Case Study of a Cancelled Series’ Transformation into Feature Film
Cinematic Doppelgängers: Twin Peaks as a Case Study of a Cancelled Series’ Transformation into Feature Film

Kristina Graour

Volume 4 • Issue 1 • 2018 • 30

Also a part of:

Special Collection: From TV To Film

Drinking Sorrow and Bathing in Bliss: Liquid Emotions in Chaucer
Drinking Sorrow and Bathing in Bliss: Liquid Emotions in Chaucer

Lucie Kaempfer

Volume 4 • Issue 1 • 2018 • 29

Also a part of:

Special Collection: New Approaches to Medieval Water Studies

Sine Cerere et Libero, Venus friget: La fortuna iconográfica de un proverbio latino desde la literatura emblemática del siglo XVI hasta las artes figurativas del siglo XVII
Sine Cerere et Libero, Venus friget: La fortuna iconográfica de un proverbio latino desde la literatura emblemática del siglo XVI hasta las artes figurativas del siglo XVII

Pilar Diez del Corral

Volume 4 • Issue 1 • 2018 • 28

Also a part of:

Special Collection: Mnemosyne

Reporting Someone Else’s Speech: The Use of the Optative and Accusative-and-Infinitive as Reportative Markers in Herodotus’ Histories
Reporting Someone Else’s Speech: The Use of the Optative and Accusative-and-Infinitive as Reportative Markers in Herodotus’ Histories

Corien Bary

Volume 4 • Issue 1 • 2018 • 20

Fluid Boundaries in The Awntyrs off Arthure and Sir Isumbras
Fluid Boundaries in The Awntyrs off Arthure and Sir Isumbras

Andrew Murray Richmond

Volume 4 • Issue 1 • 2018 • 24

Also a part of:

Special Collection: New Approaches to Medieval Water Studies

Economies of Reputation: Jonathan Franzen’s Purity and Practices of Disclosure in the Information Age
Economies of Reputation: Jonathan Franzen’s Purity and Practices of Disclosure in the Information Age

Jae Sharpe

Volume 4 • Issue 1 • 2018 • 22

Also a part of:

Special Collection: What’s Left? Marxism, Literature and Culture in the 21st Century