Volume 4 &bull; Issue 1 &bull; 2018 &bull; Volume 4

Special Collection: New Voices in Jewish-American Literature

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Article

Reporting Someone Else’s Speech: The Use of the Optative and Accusative-and-Infinitive as Reportative Markers in Herodotus’ Histories

Corien Bary

Many a Footnote and Afterword: Dubravka Ugrešić and the Essay

Téa Rokolj

Pseudo-Arabic and the Material Culture of the First Crusade in Norman Italy: The Sanctuary Mosaic at San Nicola in Bari

Clare Vernon

2018-06-25 Volume 4 • Issue 1 • 2018 • Volume 4

Ladies, Gentlemen, and Scientific Publication at the Royal Society, 1945–1990

Camilla Mørk Røstvik and Aileen Fyfe

2018-06-27 Volume 4 • Issue 1 • 2018 • Volume 4

Imaginaries of the Future 03: Utopia at the Border

Removed to the Signifier: Utopia in Stephen Graham Jones’s The Bird Is Gone: A monograph Manifesto (2003)

Kristina Baudemann

Special Collection: Imaginaries of the Future 03: Utopia at the Border

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Interview

George Oates: Making and Remaking Collections Online

George Oates and Mitchell Whitelaw

Also a part of:

Mnemosyne

Sine Cerere et Libero, Venus friget: La fortuna iconográfica de un proverbio latino desde la literatura emblemática del siglo XVI hasta las artes figurativas del siglo XVII

Pilar Diez del Corral

Special Collection: Mnemosyne

Also a part of:

New Approaches to Medieval Water Studies

Fluid Boundaries in The Awntyrs off Arthure and Sir Isumbras

Andrew Murray Richmond

Special Collection: New Approaches to Medieval Water Studies

Also a part of:

Drinking Sorrow and Bathing in Bliss: Liquid Emotions in Chaucer

Lucie Kaempfer

Special Collection: New Approaches to Medieval Water Studies

Also a part of:

New Voices in Jewish-American Literature

Marriage and Sexuality in Pearl Abraham’s The Romance Reader and Hush by Judy Brown

Eva van Loenen

2018-01-10 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: New Voices in Jewish-American Literature

#Agreement20

American Diplomacy and Economic Aid in the Northern Ireland Peace Process: A Neoliberal Analysis

Timothy J. White

2018-01-15 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Politics as Usual? Theatre, the Northern Irish Assembly, and the Romanticization of Normality

Eleanor Owicki

2018-02-14 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Towards a ‘Journalism of Opposition’: BBC Northern Ireland, Hearts and Minds and the Good Friday Agreement

Julia Paul

2018-02-15 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

‘We Shall Overcome’? The Good Friday/Belfast Agreement and the Memory of the Civil Rights Movement

Sarah Campbell

Also a part of:

French Perspectives on the Northern Ireland Peace Process and the Good Friday/Belfast Agreement

Karine Deslandes

Also a part of:

Special Collection: Imaginaries of the Future 01: Bodies and Media

Imaginaries of the Future 01: Bodies & Media

Making Meaning: Utopian Method for Minds, Bodies, and Media in Architectural Design

Tim Waterman

2018-01-15 Volume 4 • Issue 1 • 2018 • Volume 4

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Postcolonial Perspectives in Game Studies

Casual Empire: Video Games as Neocolonial Praxis

Sabine Harrer

2018-01-30 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Geralt of Poland: The Witcher 3 Between Epistemic Disobedience and Imperial Nostalgia

Tomasz Z. Majkowski

2018-01-30 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Who Made Your Phone? Compassion and the Voice of the Oppressed in Phone Story and Burn the Boards

Víctor Navarro-Remesal and Beatriz Pérez Zapata

2018-02-19 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Facing Fanon: Examining Neocolonial Aspects in Grand Theft Auto V through the Prism of the Machinima Film Finding Fanon II

Steffen Krüger

2018-02-23 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

The Work of Postcolonial Game Studies in the Play of Culture

Soraya Murray

2018-03-01 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Settler Colonialism in the Digital Age: Clash of Clans, Territoriality, and the Erasure of the Native

Jacob Euteneuer

2018-03-23 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Counterfactual Communities: Strategy Games, Paratexts and the Player’s Experience of History

Tom Apperley

2018-03-23 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Representations of Colonialism in Three Popular, Modern Board Games: Puerto Rico, Struggle of Empires, and Archipelago

Cornel Borit , Melania Borit and Petter Olsen

Special Collection: Postcolonial Perspectives in Game Studies

Also a part of:

Hybridity, Reflexivity and Mapping: A Collaborative Ethnography of Postcolonial Gameplay

Sybille Lammes and Stephanie de Smale

Special Collection: Postcolonial Perspectives in Game Studies

Also a part of:

CosmoCult Card Game: A Methodological Tool to Understand the Hybrid and Peripheral Cultural Consumption of Young People

Wilson Roberto Bekesas , Mauro Berimbau , Renato Vercesi Mader , Joana Angelica Pellerano and Viviane Riegel

Special Collection: Postcolonial Perspectives in Game Studies

Also a part of:

Decolonising the Games Curriculum: Interventions in an Introductory Game Design Course

Hanli Geyser

2018-06-11 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Remaking Collections

Heritage in the Limelight, a Collection in Progress: Uncovering, Connecting, Researching and Animating Australia’s Magic Lantern Past

Martyn Jolly and Elisa deCourcy

Also a part of:

Mashups and Matters of Concern: Generative Approaches to Digital Collections

Mitchell Whitelaw

Also a part of:

Co-Producing Collections: Re-imagining a Polyvocal Past with Cultural Probes

Tom Schofield , Daniel Foster-Smith , Gönül Bozoğlu and Christopher Whitehead

2018-06-13 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: Station Eleven and Twenty-First-Century Writing

Station Eleven and Twenty-First Century Writing

Apocalypse Without Revelation?: Shakespeare, Salvagepunk and Station Eleven

Mark West

2018-01-30 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven

Martin Paul Eve

2018-02-14 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: Station Eleven and Twenty-First-Century Writing

What’s Left? Marxism, Literature and Culture in the 21st Century

Economies of Reputation: Jonathan Franzen’s Purity and Practices of Disclosure in the Information Age

Jae Sharpe

Special Collection: What’s Left? Marxism, Literature and Culture in the 21st Century

Also a part of:

Surplus-Value: Surplus Image

John Hillman

2018-06-11 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: What’s Left? Marxism, Literature and Culture in the 21st Century

Authors, Narratives, and Audiences in Medieval Saints’ Lives

Mining the Box: Adaptation, Nostalgia and Generation X

Lisa Hill

2018-01-09 Volume 4 • Issue 1 • 2018 • Volume 4

Also a part of:

Special Collection: From TV To Film

Cinematic Doppelgängers: Twin Peaks as a Case Study of a Cancelled Series’ Transformation into Feature Film

Kristina Graour