Volume 4 • Issue 1 • 2018 • Volume 4


Editorial

New Voices in Jewish-American Literature
New Voices in Jewish-American Literature

Dan O'Brien and Mike Witcombe

2018-04-10 Volume 4 • Issue 1 • 2018 • Volume 4 • 18

Also a part of:

Special Collection: New Voices in Jewish-American Literature

Article

Reporting Someone Else’s Speech: The Use of the Optative and Accusative-and-Infinitive as Reportative Markers in Herodotus’ Histories
Reporting Someone Else’s Speech: The Use of the Optative and Accusative-and-Infinitive as Reportative Markers in Herodotus’ Histories

Corien Bary

2018-04-24 Volume 4 • Issue 1 • 2018 • Volume 4 • 20

Many a Footnote and Afterword: Dubravka Ugrešić and the Essay
Many a Footnote and Afterword: Dubravka Ugrešić and the Essay

Téa Rokolj

2018-06-07 Volume 4 • Issue 1 • 2018 • Volume 4 • 31

Pseudo-Arabic and the Material Culture of the First Crusade in Norman Italy: The Sanctuary Mosaic at San Nicola in Bari
Pseudo-Arabic and the Material Culture of the First Crusade in Norman Italy: The Sanctuary Mosaic at San Nicola in Bari

Clare Vernon

2018-06-25 Volume 4 • Issue 1 • 2018 • Volume 4 • 36

Ladies, Gentlemen, and Scientific Publication at the Royal Society, 1945–1990
Ladies, Gentlemen, and Scientific Publication at the Royal Society, 1945–1990

Camilla Mørk Røstvik and Aileen Fyfe

2018-06-27 Volume 4 • Issue 1 • 2018 • Volume 4 • 37

From TV to Film

Mining the Box: Adaptation, Nostalgia and Generation X
Mining the Box: Adaptation, Nostalgia and Generation X

Lisa Hill

2018-01-09 Volume 4 • Issue 1 • 2018 • Volume 4 • 1

Also a part of:

Special Collection: From TV To Film

Cinematic Doppelgängers: Twin Peaks as a Case Study of a Cancelled Series’ Transformation into Feature Film
Cinematic Doppelgängers: Twin Peaks as a Case Study of a Cancelled Series’ Transformation into Feature Film

Kristina Graour

2018-06-07 Volume 4 • Issue 1 • 2018 • Volume 4 • 30

Also a part of:

Special Collection: From TV To Film

Imaginaries of the Future 03: Utopia at the Border

Removed to the Signifier: Utopia in Stephen Graham Jones’s The Bird Is Gone: A monograph Manifesto (2003)
Removed to the Signifier: Utopia in Stephen Graham Jones’s The Bird Is Gone: A monograph Manifesto (2003)

Kristina Baudemann

2018-04-10 Volume 4 • Issue 1 • 2018 • Volume 4 • 16

Also a part of:

Special Collection: Imaginaries of the Future 03: Utopia at the Border

Interview

George Oates: Making and Remaking Collections Online
George Oates: Making and Remaking Collections Online

George Oates and Mitchell Whitelaw

2018-06-07 Volume 4 • Issue 1 • 2018 • Volume 4 • 32

Also a part of:

Special Collection: Remaking Collections

Mnemosyne

Sine Cerere et Libero, Venus friget: La fortuna iconográfica de un proverbio latino desde la literatura emblemática del siglo XVI hasta las artes figurativas del siglo XVII
Sine Cerere et Libero, Venus friget: La fortuna iconográfica de un proverbio latino desde la literatura emblemática del siglo XVI hasta las artes figurativas del siglo XVII

Pilar Diez del Corral

2018-06-07 Volume 4 • Issue 1 • 2018 • Volume 4 • 28

Also a part of:

Special Collection: Mnemosyne

New Approaches to Medieval Water Studies

Fluid Boundaries in The Awntyrs off Arthure and Sir Isumbras
Fluid Boundaries in The Awntyrs off Arthure and Sir Isumbras

Andrew Murray Richmond

2018-04-24 Volume 4 • Issue 1 • 2018 • Volume 4 • 24

Also a part of:

Special Collection: New Approaches to Medieval Water Studies

Drinking Sorrow and Bathing in Bliss: Liquid Emotions in Chaucer
Drinking Sorrow and Bathing in Bliss: Liquid Emotions in Chaucer

Lucie Kaempfer

2018-06-07 Volume 4 • Issue 1 • 2018 • Volume 4 • 29

Also a part of:

Special Collection: New Approaches to Medieval Water Studies

New Voices in Jewish-American Literature

Marriage and Sexuality in Pearl Abraham’s The Romance Reader and Hush by Judy Brown
Marriage and Sexuality in Pearl Abraham’s The Romance Reader and Hush by Judy Brown

Eva van Loenen

2018-01-10 Volume 4 • Issue 1 • 2018 • Volume 4 • 2

Also a part of:

Special Collection: New Voices in Jewish-American Literature

#Agreement20

American Diplomacy and Economic Aid in the Northern Ireland Peace Process: A Neoliberal Analysis
American Diplomacy and Economic Aid in the Northern Ireland Peace Process: A Neoliberal Analysis

Timothy J. White

2018-01-15 Volume 4 • Issue 1 • 2018 • Volume 4 • 3

Also a part of:

Special Collection: #Agreement20

Politics as Usual? Theatre, the Northern Irish Assembly, and the Romanticization of Normality
Politics as Usual? Theatre, the Northern Irish Assembly, and the Romanticization of Normality

Eleanor Owicki

2018-02-14 Volume 4 • Issue 1 • 2018 • Volume 4 • 9

Also a part of:

Special Collection: #Agreement20

Towards a ‘Journalism of Opposition’: BBC Northern Ireland, Hearts and Minds and the Good Friday Agreement
Towards a ‘Journalism of Opposition’: BBC Northern Ireland, Hearts and Minds and the Good Friday Agreement

Julia Paul

2018-02-15 Volume 4 • Issue 1 • 2018 • Volume 4 • 10

Also a part of:

Special Collection: #Agreement20

‘We Shall Overcome’? The Good Friday/Belfast Agreement and the Memory of the Civil Rights Movement
‘We Shall Overcome’? The Good Friday/Belfast Agreement and the Memory of the Civil Rights Movement

Sarah Campbell

2018-04-24 Volume 4 • Issue 1 • 2018 • Volume 4 • 25

Also a part of:

Special Collection: #Agreement20

French Perspectives on the Northern Ireland Peace Process and the Good Friday/Belfast Agreement
French Perspectives on the Northern Ireland Peace Process and the Good Friday/Belfast Agreement

Karine Deslandes

2018-04-24 Volume 4 • Issue 1 • 2018 • Volume 4 • 27

Also a part of:

Special Collection: #Agreement20

Imaginaries of the Future 01: Bodies & Media

Making Meaning: Utopian Method for Minds, Bodies, and Media in Architectural Design
Making Meaning: Utopian Method for Minds, Bodies, and Media in Architectural Design

Tim Waterman

2018-01-15 Volume 4 • Issue 1 • 2018 • Volume 4 • 4

Also a part of:

Special Collection: Imaginaries of the Future 01: Bodies and Media

Postcolonial Perspectives in Game Studies

Casual Empire: Video Games as Neocolonial Praxis
Casual Empire: Video Games as Neocolonial Praxis

Sabine Harrer

2018-01-30 Volume 4 • Issue 1 • 2018 • Volume 4 • 5

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Geralt of Poland: The Witcher 3 Between Epistemic Disobedience and Imperial Nostalgia
Geralt of Poland: The Witcher 3 Between Epistemic Disobedience and Imperial Nostalgia

Tomasz Z. Majkowski

2018-01-30 Volume 4 • Issue 1 • 2018 • Volume 4 • 6

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Who Made Your Phone? Compassion and the Voice of the Oppressed in Phone Story and Burn the Boards
Who Made Your Phone? Compassion and the Voice of the Oppressed in Phone Story and Burn the Boards

Víctor Navarro-Remesal and Beatriz Pérez Zapata

2018-02-19 Volume 4 • Issue 1 • 2018 • Volume 4 • 11

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Facing Fanon: Examining Neocolonial Aspects in Grand Theft Auto V through the Prism of the Machinima Film Finding Fanon II
Facing Fanon: Examining Neocolonial Aspects in Grand Theft Auto V through the Prism of the Machinima Film Finding Fanon II

Steffen Krüger

2018-02-23 Volume 4 • Issue 1 • 2018 • Volume 4 • 12

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

The Work of Postcolonial Game Studies in the Play of Culture
The Work of Postcolonial Game Studies in the Play of Culture

Soraya Murray

2018-03-01 Volume 4 • Issue 1 • 2018 • Volume 4 • 13

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Settler Colonialism in the Digital Age: Clash of Clans, Territoriality, and the Erasure of the Native
Settler Colonialism in the Digital Age: Clash of Clans, Territoriality, and the Erasure of the Native

Jacob Euteneuer

2018-03-23 Volume 4 • Issue 1 • 2018 • Volume 4 • 14

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Counterfactual Communities: Strategy Games, Paratexts and the Player’s Experience of History
Counterfactual Communities: Strategy Games, Paratexts and the Player’s Experience of History

Tom Apperley

2018-03-23 Volume 4 • Issue 1 • 2018 • Volume 4 • 15

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Representations of Colonialism in Three Popular, Modern Board Games: Puerto Rico, Struggle of Empires, and Archipelago
Representations of Colonialism in Three Popular, Modern Board Games: Puerto Rico, Struggle of Empires, and Archipelago

Cornel Borit, Melania Borit and Petter Olsen

2018-04-10 Volume 4 • Issue 1 • 2018 • Volume 4 • 17

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Hybridity, Reflexivity and Mapping: A Collaborative Ethnography of Postcolonial Gameplay
Hybridity, Reflexivity and Mapping: A Collaborative Ethnography of Postcolonial Gameplay

Sybille Lammes and Stephanie de Smale

2018-04-10 Volume 4 • Issue 1 • 2018 • Volume 4 • 19

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

CosmoCult Card Game: A Methodological Tool to Understand the Hybrid and Peripheral Cultural Consumption of Young People
CosmoCult Card Game: A Methodological Tool to Understand the Hybrid and Peripheral Cultural Consumption of Young People

Wilson Roberto Bekesas, Mauro Berimbau, Renato Vercesi Mader, Joana Angelica Pellerano and Viviane Riegel

2018-04-24 Volume 4 • Issue 1 • 2018 • Volume 4 • 21

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Decolonising the Games Curriculum: Interventions in an Introductory Game Design Course
Decolonising the Games Curriculum: Interventions in an Introductory Game Design Course

Hanli Geyser

2018-06-11 Volume 4 • Issue 1 • 2018 • Volume 4 • 33

Also a part of:

Special Collection: Postcolonial Perspectives in Game Studies

Remaking Collections

Heritage in the Limelight, a Collection in Progress: Uncovering, Connecting, Researching and Animating Australia’s Magic Lantern Past
Heritage in the Limelight, a Collection in Progress: Uncovering, Connecting, Researching and Animating Australia’s Magic Lantern Past

Martyn Jolly and Elisa deCourcy

2018-04-24 Volume 4 • Issue 1 • 2018 • Volume 4 • 23

Also a part of:

Special Collection: Remaking Collections

Mashups and Matters of Concern: Generative Approaches to Digital Collections
Mashups and Matters of Concern: Generative Approaches to Digital Collections

Mitchell Whitelaw

2018-04-24 Volume 4 • Issue 1 • 2018 • Volume 4 • 26

Also a part of:

Special Collection: Remaking Collections

Co-Producing Collections: Re-imagining a Polyvocal Past with Cultural Probes
Co-Producing Collections: Re-imagining a Polyvocal Past with Cultural Probes

Tom Schofield, Daniel Foster-Smith, Gönül Bozoğlu and Christopher Whitehead

2018-06-13 Volume 4 • Issue 1 • 2018 • Volume 4 • 35

Also a part of:

Special Collection: Remaking Collections

Station Eleven and Twenty-First Century Writing

Apocalypse Without Revelation?: Shakespeare, Salvagepunk and Station Eleven
Apocalypse Without Revelation?: Shakespeare, Salvagepunk and Station Eleven

Mark West

2018-01-30 Volume 4 • Issue 1 • 2018 • Volume 4 • 7

Also a part of:

Special Collection: Station Eleven and Twenty-First-Century Writing

Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven
Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven

Martin Paul Eve

2018-02-14 Volume 4 • Issue 1 • 2018 • Volume 4 • 8

Also a part of:

Special Collection: Station Eleven and Twenty-First-Century Writing

What’s Left? Marxism, Literature and Culture in the 21st Century

Economies of Reputation: Jonathan Franzen’s Purity and Practices of Disclosure in the Information Age
Economies of Reputation: Jonathan Franzen’s Purity and Practices of Disclosure in the Information Age

Jae Sharpe

2018-04-24 Volume 4 • Issue 1 • 2018 • Volume 4 • 22

Also a part of:

Special Collection: What’s Left? Marxism, Literature and Culture in the 21st Century

Surplus-Value: Surplus Image
Surplus-Value: Surplus Image

John Hillman

2018-06-11 Volume 4 • Issue 1 • 2018 • Volume 4 • 34

Also a part of:

Special Collection: What’s Left? Marxism, Literature and Culture in the 21st Century

  • 1 

Issue Archive