Articles

Pixel, Partition, Persona: Machine Vision and Face Recognition in Kazuo Ishiguro’s Klara and the Sun
Pixel, Partition, Persona: Machine Vision and Face Recognition in Kazuo Ishiguro’s Klara and the Sun

Tyne Daile Sumner

2023-09-28 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Cultural Representations of Machine Vision

Machine Visions: Mapping Depictions of Machine Vision through Critical Image Synthesis
Machine Visions: Mapping Depictions of Machine Vision through Critical Image Synthesis

Richard Carter

2023-09-05 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Cultural Representations of Machine Vision

Conflicts and Crises, Dialogues and (Dis-)Connections: Renegotiations of Identities through Irish Narratives of Community
Conflicts and Crises, Dialogues and (Dis-)Connections: Renegotiations of Identities through Irish Narratives of Community

Alessandra Boller

2023-08-18 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture

Playing with the Mind: Magic Tricks in Late Medieval Europe
Playing with the Mind: Magic Tricks in Late Medieval Europe

Vanessa da Silva Baptista

2023-07-10 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Medieval Minds and Matter

Borders, Burials, and the Extended Mind in Early Medieval England: Genesis A and Apple Down
Borders, Burials, and the Extended Mind in Early Medieval England: Genesis A and Apple Down

Michael D. J. Bintley

2023-06-28 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Medieval Minds and Matter

Azeem and the Witch: Race, Disability, and Medievalisms in Robin Hood: Prince of Thieves
Azeem and the Witch: Race, Disability, and Medievalisms in Robin Hood: Prince of Thieves

Rachel Ellen Clark

2023-06-22 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty
Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty

Krisztina Kodó

2023-04-17 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture

Sex, Politics, Religion: Teaching Challenging Medievalisms with Becket (1964) and The Lion in Winter (1968)
Sex, Politics, Religion: Teaching Challenging Medievalisms with Becket (1964) and The Lion in Winter (1968)

Lucy Christine Barnhouse

2023-04-17 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Who Put the ‘a’ in ‘Thomas a Becket’? The History of a Name from the Angevins to the 18th Century
Who Put the ‘a’ in ‘Thomas a Becket’? The History of a Name from the Angevins to the 18th Century

John Jenkins

2023-03-24 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Musikalische Autonomie und das Gesamtkunstwerk: Eduard Hanslick und Richard Wagner im Dialog mit der Idealistischen Musikästhetik
Musikalische Autonomie und das Gesamtkunstwerk: Eduard Hanslick und Richard Wagner im Dialog mit der Idealistischen Musikästhetik

Alexander Wilfing

2023-03-16 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Production Archives 02: Production Contexts