Volume 5 • Issue 1 • 2019


Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives

‘Liberation Begins with Stating the Facts’: Framing Statistics and Information Bricolage in Geert Wilders’ Twitter Practice
‘Liberation Begins with Stating the Facts’: Framing Statistics and Information Bricolage in Geert Wilders’ Twitter Practice

Iris Muis, Gerwin van Schie, Maranke Wieringa and Tim de Winkel

2019-01-03 Volume 5 • Issue 1 • 2019 • 1

Also a part of:

Special Collection: Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives

Contesting #StopIslam: The Dynamics of a Counter-narrative Against Right-wing Populism
Contesting #StopIslam: The Dynamics of a Counter-narrative Against Right-wing Populism

Elizabeth Poole, Eva Giraud and Ed de Quincey

2019-01-18 Volume 5 • Issue 1 • 2019 • 5

Also a part of:

Special Collection: Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives

Organised and Ambient Digital Racism: Multidirectional Flows in the Irish Digital Sphere
Organised and Ambient Digital Racism: Multidirectional Flows in the Irish Digital Sphere

Eugenia Siapera

2019-02-08 Volume 5 • Issue 1 • 2019 • 13

Also a part of:

Special Collection: Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives

Some Human’s Rights: Neocolonial Discourses of Otherness in the Mediterranean Refugee Crisis
Some Human’s Rights: Neocolonial Discourses of Otherness in the Mediterranean Refugee Crisis

Siobhan Holohan

2019-04-05 Volume 5 • Issue 1 • 2019 • 27

Also a part of:

Special Collection: Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives

Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives Special Collection
Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives Special Collection

Elizabeth Poole and Eva Giraud

2019-04-18 Volume 5 • Issue 1 • 2019 • 31

Also a part of:

Special Collection: Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives

The Encounter Between Asian and Western Art, 20th-21st Centuries

Fusion, emprunt…dislocation, ou comment la rencontre de l’art occidental s’inscrit dans les écrits des critiques chinois
Fusion, emprunt…dislocation, ou comment la rencontre de l’art occidental s’inscrit dans les écrits des critiques chinois

Anny Lazarus

2019-04-24 Volume 5 • Issue 1 • 2019 • 32

Also a part of:

Special Collection: Encounters between Asian and Western Art in the 20th and 21st centuries: a liberating influence for Asia?

Apport de la France, Promotion de L’expression d’un Style National Vietnamien dans la Première École des Beaux-Arts de L’Indochine
Apport de la France, Promotion de L’expression d’un Style National Vietnamien dans la Première École des Beaux-Arts de L’Indochine

Pierre Paliard

2019-06-13 Volume 5 • Issue 1 • 2019 • 42

Also a part of:

Special Collection: Encounters between Asian and Western Art in the 20th and 21st centuries: a liberating influence for Asia?

Installation Art in China from 1985 to Today: Appropriation Processes between the Western World and Chinese World
Installation Art in China from 1985 to Today: Appropriation Processes between the Western World and Chinese World

Sorann Micollier

2019-11-04 Volume 5 • Issue 1 • 2019 • 65

Also a part of:

Special Collection: Encounters between Asian and Western Art in the 20th and 21st centuries: a liberating influence for Asia?

The Medieval Brain

Interrogating Green Space in Medieval Monasticism: Position, Powers and Politics
Interrogating Green Space in Medieval Monasticism: Position, Powers and Politics

James L. Smith

2019-06-13 Volume 5 • Issue 1 • 2019 • 41

Also a part of:

Special Collection: The Medieval Brain

Tears for Fears: Alienation and Authority in the World of Benedict of Aniane
Tears for Fears: Alienation and Authority in the World of Benedict of Aniane

Frances Trzeciak and Rutger Kramer

2019-09-09 Volume 5 • Issue 1 • 2019 • 53

Also a part of:

Special Collection: The Medieval Brain

Utopian Art and Literature from Modern India

Satinath Bhaduri’s Bengali Novels Jagari (The Vigil) and Dhorai Charit Manas as Utopian Literature
Satinath Bhaduri’s Bengali Novels Jagari (The Vigil) and Dhorai Charit Manas as Utopian Literature

Barnita Bagchi

2019-01-04 Volume 5 • Issue 1 • 2019 • 2

Also a part of:

Special Collection: Utopian Art and Literature from Modern India

Embodying Utopia in 1935: Poetry and the Feminized Nation
Embodying Utopia in 1935: Poetry and the Feminized Nation

Anne Castaing

2019-01-30 Volume 5 • Issue 1 • 2019 • 8

Also a part of:

Special Collection: Utopian Art and Literature from Modern India

Interweaving Dystopian and Utopian Spaces, Constructing Social Realism on Screen: Bakita Byaktigato/The Rest is Personal
Interweaving Dystopian and Utopian Spaces, Constructing Social Realism on Screen: Bakita Byaktigato/The Rest is Personal

Sanghita Sen

2019-02-08 Volume 5 • Issue 1 • 2019 • 14

Also a part of:

Special Collection: Utopian Art and Literature from Modern India

Nishchindipur: The Impossibility of a Village Utopia
Nishchindipur: The Impossibility of a Village Utopia

Supriya Chaudhuri

2019-04-05 Volume 5 • Issue 1 • 2019 • 25

Also a part of:

Special Collection: Utopian Art and Literature from Modern India

Tarasankar Bandyopadhyay’s Caitālī ghūrṇi and The Dystopia of Hunger
Tarasankar Bandyopadhyay’s Caitālī ghūrṇi and The Dystopia of Hunger

Sukla Chatterjee

2019-04-17 Volume 5 • Issue 1 • 2019 • 29

Also a part of:

Special Collection: Utopian Art and Literature from Modern India

Waste: Disposability, Decay and Depletion

Dynamic Dirt: Medieval Holy Dust, Ritual Erosion, and Pilgrimage Ecopoetics
Dynamic Dirt: Medieval Holy Dust, Ritual Erosion, and Pilgrimage Ecopoetics

Susan Signe Morrison

2019-04-17 Volume 5 • Issue 1 • 2019 • 30

Also a part of:

Special Collection: Waste: Disposability, Decay, and Depletion

Recycling Discarded Histories to Chronicle Identities: Making Art from Waste in Mozambique
Recycling Discarded Histories to Chronicle Identities: Making Art from Waste in Mozambique

Amy Schwartzott

2019-07-12 Volume 5 • Issue 1 • 2019 • 47

Also a part of:

Special Collection: Waste: Disposability, Decay, and Depletion

What’s Left? Marxism, Literature and Culture in the 21st Century

Editorial
Editorial

Andrew Rowcroft

2019-01-24 Volume 5 • Issue 1 • 2019 • 6

Also a part of:

Special Collection: What’s Left? Marxism, Literature and Culture in the 21st Century

Writers and Intellectuals on Britain and Europe, 1918-2018

Brexitiness: The Ebbs and Flows of British Eurosceptic Rhetoric since 1945
Brexitiness: The Ebbs and Flows of British Eurosceptic Rhetoric since 1945

Christian Mair

2019-08-22 Volume 5 • Issue 1 • 2019 • 50

Also a part of:

Special Collection: Writers and Intellectuals on Britain and Europe, 1918–2018

Authors, Narratives, and Audiences in Medieval Saints’ Lives

Strategies for Constructing an Institutional Identity: Three Case Studies from the Liturgical Office of Saint Edmund Martyr
Strategies for Constructing an Institutional Identity: Three Case Studies from the Liturgical Office of Saint Edmund Martyr

Steffen Hope

2019-03-27 Volume 5 • Issue 1 • 2019 • 22

Also a part of:

Special Collection: Authors, Narratives, and Audiences in Medieval Saints’ Lives

Issue Archive