Volume 9 • Issue 1 • 2023


Representing the Medieval in Popular Culture: Remembering the Angevins

Richard the Lionheart, Contested Queerness, and Crusading Memory
Richard the Lionheart, Contested Queerness, and Crusading Memory

Hilary M Rhodes

2023-03-06 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

‘Normans’ vs. ‘Saxons’: Cinematic Imaginaries of Race and Nation in Angevin England, 1938–1964
‘Normans’ vs. ‘Saxons’: Cinematic Imaginaries of Race and Nation in Angevin England, 1938–1964

Esther Liberman Cuenca

2023-03-13 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Who Put the ‘a’ in ‘Thomas a Becket’? The History of a Name from the Angevins to the Victorians
Who Put the ‘a’ in ‘Thomas a Becket’? The History of a Name from the Angevins to the Victorians

John Jenkins

2023-03-24 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Sex, Politics, Religion: Teaching Challenging Medievalisms with Becket (1964) and The Lion in Winter (1968)
Sex, Politics, Religion: Teaching Challenging Medievalisms with Becket (1964) and The Lion in Winter (1968)

Lucy Christine Barnhouse

2023-04-17 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Local and Universal in Irish Literature and Culture

Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty
Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty

Krisztina Kodó

2023-04-17 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture

Production Archives 01: Puppets for Action

Lost in Fragmentation: On How to Deal with Fragments of a Special Performance Form from Mali in the Collection KOLK 17 in Lübeck
Lost in Fragmentation: On How to Deal with Fragments of a Special Performance Form from Mali in the Collection KOLK 17 in Lübeck

Sonja Riehn

2023-02-06 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Production Archives 01: Puppets for Action

Production Archives 02: Production Contexts

Musikalische Autonomie und das Gesamtkunstwerk: Eduard Hanslick und Richard Wagner im Dialog mit der Idealistischen Musikästhetik
Musikalische Autonomie und das Gesamtkunstwerk: Eduard Hanslick und Richard Wagner im Dialog mit der Idealistischen Musikästhetik

Alexander Wilfing

2023-03-16 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Production Archives 02: Production Contexts

The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

Changing Menstrual Habits in Late 20th- and Early 21st-Century Russia
Changing Menstrual Habits in Late 20th- and Early 21st-Century Russia

Pavel Vasilyev and Alexandra Konovalova

2023-02-06 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

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