Volume 7 • Issue 2 • 2021 • Volume 7

Céspedes y la colonialidad del archivo: historias de negritud y fuga en la modernidad española peninsular

Esther Mayoko Ortega Arjonilla

2021-08-24 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Colonialities in Dispute: Discourses on Colonialism and Race in the Spanish State

From Unspeakability to Inequality Talk: Why Conversations about Inequalities May Not Lead to Change

Christina Marie Scharff

2021-07-29 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Sounding Jacqueline du Pré through Ballet: Classical Music and The Cellist (2020)

Adam Whittaker

2021-07-29 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema

Tobias Pontara

2021-08-11 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Caught in the Regime: Classical Music and the Individual in the Contemporary Novel

Katie Harling-Lee

2021-08-24 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation

Michaela Weiss and Miroslav Urbanec

2021-09-16 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century