Volume 7 • Issue 2 • 2021


Colonialities in Dispute: Discourses on Colonialism and Race in the Spanish State

Céspedes y la colonialidad del archivo: historias de negritud y fuga en la modernidad española peninsular
Céspedes y la colonialidad del archivo: historias de negritud y fuga en la modernidad española peninsular

Esther Mayoko Ortega Arjonilla

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Colonialities in Dispute: Discourses on Colonialism and Race in the Spanish State

Reading in Ruins: Exploring Posthumanist Narrative Studies

Meaning after Humanism? On Reading in Ruins
Meaning after Humanism? On Reading in Ruins

Julia Hoydis and Roman Bartosch

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Reading in Ruins: Exploring Posthumanist Narrative Studies

The Transhumanist Creep: Posthumanism, Pedagogy, and the Praxeological Mangle
The Transhumanist Creep: Posthumanism, Pedagogy, and the Praxeological Mangle

Roman Bartosch

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Reading in Ruins: Exploring Posthumanist Narrative Studies

Dialogues with the Machine, or Ruins of Closure and Control in Interactive Digital Narratives
Dialogues with the Machine, or Ruins of Closure and Control in Interactive Digital Narratives

Julia Hoydis

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Reading in Ruins: Exploring Posthumanist Narrative Studies

Representing Classical Music in the Twenty-First Century

From Unspeakability to Inequality Talk: Why Conversations about Inequalities May Not Lead to Change
From Unspeakability to Inequality Talk: Why Conversations about Inequalities May Not Lead to Change

Christina Marie Scharff

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Sounding Jacqueline du Pré through Ballet: Classical Music and The Cellist (2020)
Sounding Jacqueline du Pré through Ballet: Classical Music and The Cellist (2020)

Adam Whittaker

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema
Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema

Tobias Pontara

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Caught in the Regime: Classical Music and the Individual in the Contemporary Novel
Caught in the Regime: Classical Music and the Individual in the Contemporary Novel

Katie Harling-Lee

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation
Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation

Michaela Weiss and Miroslav Urbanec

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

‘Wherever You Are Whenever You Want’: Captivating and Encouraging Music Experiences when Symphony Orchestra Performances are Provided Online
‘Wherever You Are Whenever You Want’: Captivating and Encouraging Music Experiences when Symphony Orchestra Performances are Provided Online

Åsa Bergman

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Classical Music Goes Viral: Memeings and Meanings of Classical Music in the Wake of Coronavirus
Classical Music Goes Viral: Memeings and Meanings of Classical Music in the Wake of Coronavirus

Sverker Hyltén-Cavallius

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

The Phenomenal Side of the Operatic Performance: Implications of Promotion Strategies on Cinematic Representations of the 21st Century
The Phenomenal Side of the Operatic Performance: Implications of Promotion Strategies on Cinematic Representations of the 21st Century

Johanna Ethnersson Pontara

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

Doubling, Decay and Discontinuity: Pathology and the (post)human body in Marie Darrieussecq’s Notre vie dans les forêts
Doubling, Decay and Discontinuity: Pathology and the (post)human body in Marie Darrieussecq’s Notre vie dans les forêts

Francoise Campbell

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

Illness, Aesthetics, and Body Politics: Forging the Third Republic in Émile Zola's 'La Faute de l'abbé Mouret'
Illness, Aesthetics, and Body Politics: Forging the Third Republic in Émile Zola's 'La Faute de l'abbé Mouret'

Kit Yee Wong

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

Uniting the Nation through Transcending Menstrual Blood: The Period Products Act in Historical Perspective
Uniting the Nation through Transcending Menstrual Blood: The Period Products Act in Historical Perspective

Bettina Bildhauer

Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

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