Articles

400 results

The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media
The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media

Donal Harris

2022-01-20 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka
From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka

Karolina Koczynska

2022-01-19 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang
Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang

Zach Pearl

2022-01-14 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces
'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces

Diogo Marques

2022-01-14 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Introduction: Representation in/of Classical Music
Introduction: Representation in/of Classical Music

Adrian Curtin and Adam Whittaker

2022-01-12 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

ringl + pit: (Un)figuring the New Woman
ringl + pit: (Un)figuring the New Woman

Stephanie Danielle Bender

2022-01-12 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

In the Beginning There Were Dragon(cillo)s: Using Shadow Puppetry to Engage Young Audiences
In the Beginning There Were Dragon(cillo)s: Using Shadow Puppetry to Engage Young Audiences

Esther Fernández, Jason Yancey, Jonathan Wade and Jared White

2022-01-08 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Production Archives 01: Puppets for Action

Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe
Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe

- Sharanya

2022-01-07 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Staging Scores: Devising Contemporary Performances from Classical Music
Staging Scores: Devising Contemporary Performances from Classical Music

Michael David Pinchbeck and Kevin Egan

2022-01-05 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Illness, Aesthetics, and Body Politics: Forging the Third Republic in Émile Zola's 'La Faute de l'abbé Mouret'
Illness, Aesthetics, and Body Politics: Forging the Third Republic in Émile Zola's 'La Faute de l'abbé Mouret'

Kit Yee Wong

2021-12-24 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

Uniting the Nation through Transcending Menstrual Blood: The Period Products Act in Historical Perspective
Uniting the Nation through Transcending Menstrual Blood: The Period Products Act in Historical Perspective

Bettina Bildhauer

2021-12-23 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

The Phenomenal Side of the Operatic Performance: Implications of Promotion Strategies on Cinematic Representations of the 21st Century
The Phenomenal Side of the Operatic Performance: Implications of Promotion Strategies on Cinematic Representations of the 21st Century

Johanna Ethnersson Pontara

2021-12-22 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Meaning after Humanism? On Reading in Ruins
Meaning after Humanism? On Reading in Ruins

Julia Hoydis and Roman Bartosch

2021-12-17 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Reading in Ruins: Exploring Posthumanist Narrative Studies

Doubling, Decay and Discontinuity: Pathology and the (post)human body in Marie Darrieussecq’s Notre vie dans les forêts
Doubling, Decay and Discontinuity: Pathology and the (post)human body in Marie Darrieussecq’s Notre vie dans les forêts

Francoise Campbell

2021-12-07 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

Classical Music Goes Viral: Memeings and Meanings of Classical Music in the Wake of Coronavirus
Classical Music Goes Viral: Memeings and Meanings of Classical Music in the Wake of Coronavirus

Sverker Hyltén-Cavallius

2021-10-16 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation
Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation

Michaela Weiss and Miroslav Urbanec

2021-09-17 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

The Transhumanist Creep: Posthumanism, Pedagogy, and the Praxeological Mangle
The Transhumanist Creep: Posthumanism, Pedagogy, and the Praxeological Mangle

Roman Bartosch

2021-09-04 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Reading in Ruins: Exploring Posthumanist Narrative Studies

‘Wherever You Are Whenever You Want’: Captivating and Encouraging Music Experiences when Symphony Orchestra Performances are Provided Online
‘Wherever You Are Whenever You Want’: Captivating and Encouraging Music Experiences when Symphony Orchestra Performances are Provided Online

Åsa Bergman

2021-09-04 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Dialogues with the Machine, or Ruins of Closure and Control in Interactive Digital Narratives
Dialogues with the Machine, or Ruins of Closure and Control in Interactive Digital Narratives

Julia Hoydis

2021-08-26 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Reading in Ruins: Exploring Posthumanist Narrative Studies

Céspedes y la colonialidad del archivo: historias de negritud y fuga en la modernidad española peninsular
Céspedes y la colonialidad del archivo: historias de negritud y fuga en la modernidad española peninsular

Esther Mayoko Ortega Arjonilla

2021-08-25 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Colonialities in Dispute: Discourses on Colonialism and Race in the Spanish State

Caught in the Regime: Classical Music and the Individual in the Contemporary Novel
Caught in the Regime: Classical Music and the Individual in the Contemporary Novel

Katie Harling-Lee

2021-08-25 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema
Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema

Tobias Pontara

2021-08-12 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

From Unspeakability to Inequality Talk: Why Conversations about Inequalities May Not Lead to Change
From Unspeakability to Inequality Talk: Why Conversations about Inequalities May Not Lead to Change

Christina Marie Scharff

2021-07-30 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Sounding Jacqueline du Pré through Ballet: Classical Music and The Cellist (2020)
Sounding Jacqueline du Pré through Ballet: Classical Music and The Cellist (2020)

Adam Whittaker

2021-07-30 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Racial Dynamics: The Casting of Lucian Msamati as Salieri in the National Theatre’s 2016 Production of Amadeus
Racial Dynamics: The Casting of Lucian Msamati as Salieri in the National Theatre’s 2016 Production of Amadeus

Adrian Curtin

2021-05-28 Representing Classical Music in the Twenty-First Century

Also a part of:

Issue: Volume 7 • Issue 1 • 2021