Volume 8 • Issue 1 • 2022


Article

Global Diversity in Higher Education Workforces: Towards Openness
Global Diversity in Higher Education Workforces: Towards Openness

Katie Wilson, Cameron Neylon, Lucy Montgomery, Chun-Kai (Karl) Huang, Rebecca N. Handcock, Aniek Roelofs, Richard Hosking and Alkim Ozaygen

Volume 8 • Issue 1 • 2022

Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

ringl + pit: (Un)figuring the New Woman
ringl + pit: (Un)figuring the New Woman

Stephanie Danielle Bender

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces
'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces

Diogo Marques

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang
Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang

Zach Pearl

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka
From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka

Karolina Koczynska

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media
The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media

Donal Harris

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear
Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear

Riley Hanick

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"
Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"

Filipa da Gama Calado

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Binary Modernisms: An Introduction
Binary Modernisms: An Introduction

Zlatina Nikolova

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Production Archives 01: Puppets for Action

In the Beginning There Were Dragon(cillo)s: Using Shadow Puppetry to Engage Young Audiences
In the Beginning There Were Dragon(cillo)s: Using Shadow Puppetry to Engage Young Audiences

Esther Fernández, Jason Yancey, Jonathan Wade and Jared White

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Production Archives 01: Puppets for Action

The Puppet and the Puppet-Master in Ancient Greece: Fragments of an Art Form
The Puppet and the Puppet-Master in Ancient Greece: Fragments of an Art Form

Mali Annika Skotheim

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Production Archives 01: Puppets for Action

Representing Classical Music in the Twenty-First Century

Staging Scores: Devising Contemporary Performances from Classical Music
Staging Scores: Devising Contemporary Performances from Classical Music

Michael David Pinchbeck and Kevin Egan

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe
Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe

- Sharanya

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Introduction: Representation in/of Classical Music
Introduction: Representation in/of Classical Music

Adrian Curtin and Adam Whittaker

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

Contagious Otherness: Translating Communicable Diseases in the Modern Italian and Francophone Novel
Contagious Otherness: Translating Communicable Diseases in the Modern Italian and Francophone Novel

Marta Arnaldi

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

The Contagious Effects of Rural Violence: Social Pathologies and Injured Bodies in Blasco Ibáñez’s La barraca (The Cabin)
The Contagious Effects of Rural Violence: Social Pathologies and Injured Bodies in Blasco Ibáñez’s La barraca (The Cabin)

Katharine Anne Murphy

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

The Cataleptic Novel: Living on with George Sand
The Cataleptic Novel: Living on with George Sand

James Illingworth

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

Researching the Researchers: The Impact of Menstrual Stigma on the Study of Menstruation
Researching the Researchers: The Impact of Menstrual Stigma on the Study of Menstruation

Lara Owen

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

The Red Gown: Reflections on the In/Visibility of Menstruation in Scotland
The Red Gown: Reflections on the In/Visibility of Menstruation in Scotland

Camilla Mørk Røstvik, Bee Hughes and Catherine Spencer

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

‘A Crisis of Transition’: Menstruation and the Psychiatrisation of the Female Lifecycle in 19th-Century Edinburgh
‘A Crisis of Transition’: Menstruation and the Psychiatrisation of the Female Lifecycle in 19th-Century Edinburgh

Jessica Campbell and Gayle Davis

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

Introduction: The Period Products (Free Provision) (Scotland) Act 2021 in the Context of Menstrual Politics and History
Introduction: The Period Products (Free Provision) (Scotland) Act 2021 in the Context of Menstrual Politics and History

Bettina Bildhauer, Camilla Mork Røstvik and Sharra L Vostral

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

The Working-Class Avant-Garde

'Unity in Diversity': Centralised British Identity in the Post-War Work of Robert Colquhoun and William Scott
'Unity in Diversity': Centralised British Identity in the Post-War Work of Robert Colquhoun and William Scott

Alexandra Bickley Trott

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Working-Class Avant-Garde

Utopian Art and Literature from Modern India

Modern Indian Utopian Art and Literature: An Introduction
Modern Indian Utopian Art and Literature: An Introduction

Barnita Bagchi and Sukla Chatterjee

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Utopian Art and Literature from Modern India

Writers and Intellectuals on Britain and Europe, 1918-2018

Writers and Intellectuals on Britain and Europe, 1918-2018: An Introduction
Writers and Intellectuals on Britain and Europe, 1918-2018: An Introduction

Ann-Marie Einhaus and Kristian Shaw

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Writers and Intellectuals on Britain and Europe, 1918–2018

Reading Brexit Backwards: British Eurosceptic Fiction from the European Coal and Steel Community to Maastricht
Reading Brexit Backwards: British Eurosceptic Fiction from the European Coal and Steel Community to Maastricht

Kristian Shaw

Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Writers and Intellectuals on Britain and Europe, 1918–2018

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