Pride (dir. Matthew Warchus, UK) was the most prominent of a number of films released in 2014 to coincide with, or commemorate, the 30th anniversary of the 1984-5 British Miners' Strike. Based on a real-life support group for South Wales miners forged by London-based lesbian and gay activists (Lesbians and Gays Support the Miners, or LGSM), Pride helped to inspire new solidarity activism (including the reformation of LGSM) and stimulated widespread discussion. This special issue gathers contributions from scholars as well as from LGSM activists and filmmakers that explore the impact, success and popular film aesthetics of Pride, as well as its connections to earlier LGBTQ and miners’ activist and community films and videos (including Framed Youth: Revenge of the Teenage Perverts, 1983/1987, All Out: Dancing in Dulais, 1984/1986, and The Miners’ Campaign Tapes, 1984/1985), and other more recent audio-visual commemorations of the Miners’ Strike and 1980s queer activism. The articles address questions of nostalgia and of historical re-enactment, or re-activation, and explore how this mainstream British feature film was able to draw on the forms and energies of earlier representations and figurations of real people and events in ways that unusually impacted on present-day political discourses and activism.
This Special Collection is edited by Catherine Grant (Birkbeck, University of London) and Diarmaid Kelliher (University of Glasgow).
Pride Revisited: Cinema, Activism and Re-Activation
From Europe with Pride: Heritage, Community and Queer Moves
Belén Vidal
2019-03-11 Volume 5 • Issue 1 • 2019 • 20
Also a part of:
Special Collection: Pride Revisited: Cinema, Activism and Re-Activation
Precursor of Pride: The Pleasures and Aesthetics of Framed Youth
Ieuan Franklin
2019-05-06 Volume 5 • Issue 1 • 2019 • 34
Also a part of:
Special Collection: Pride Revisited: Cinema, Activism and Re-Activation
Thoughts on Pride: No Coal Dug
Lucy Robinson
2019-05-22 Volume 5 • Issue 1 • 2019 • 37
Also a part of:
Special Collection: Pride Revisited: Cinema, Activism and Re-Activation
Special Collections
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Humour as a Human Right
Cultural Heritage Data for Research: Opening Museum Collections, Project Data and Digital Images for Research, Query and Discovery
Literature as Imaginary Archive: Ephemera and Modern Literary Production
Caliban's Mirror: Reflections of James Joyce and Oscar Wilde
Cultural Representations of Machine Vision
The Public Curatorship of the Medieval Past
Medieval Minds and Matter
Representing the Medieval in Popular Culture: Remembering the Angevins
The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty
Production Archives 03: Archival Practices
Production Archives 02: Production Contexts
Production Archives 01: Puppets for Action
Representing Classical Music in the Twenty-First Century
The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine
Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age
Local and Universal in Irish Literature and Culture
Reading in Ruins: Exploring Posthumanist Narrative Studies
The Language of Perspective
Nancy Astor, Public Women and Gendered Political Culture in Interwar Britain
The Working-Class Avant-Garde
Colonialities in Dispute: Discourses on Colonialism and Race in the Spanish State
Powering the Future: Energy Resources in Science Fiction and Fantasy
Writers and Intellectuals on Britain and Europe, 1918–2018
Literature, Law and Psychoanalysis
Muslims in the Media
Encounters between Asian and Western Art in the 20th and 21st centuries: a liberating influence for Asia?
Waste: Disposability, Decay, and Depletion
Pride Revisited: Cinema, Activism and Re-Activation
New Approaches to Late Medieval Court Records
Utopian Art and Literature from Modern India
Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives
Representing Climate: Local to Global
Cultivating Spheres: Agriculture, Technical Communication, and the Publics
Freedom After Neoliberalism
The Medieval Brain
Remaking Collections
New Approaches to Medieval Water Studies
Imaginaries of the Future 01: Bodies and Media
Imaginaries of the Future 02: Politics, Poetics, Place
Imaginaries of the Future 03: Utopia at the Border
Postcolonial Perspectives in Game Studies
Station Eleven and Twenty-First-Century Writing
#Agreement20
What’s Left? Marxism, Literature and Culture in the 21st Century
New Voices in Jewish-American Literature
Authors, Narratives, and Audiences in Medieval Saints’ Lives
From TV To Film
American Literature & the Transnational Marketplace
Mnemosyne
Healing Gods, Heroes and Rituals in the Graeco-Roman World
The Abolition of the University