Guest Edited by: Corien Bary, Radboud University, Nijmegen; Kees Thijs, Radboud University, Nijmegen; Leopold Hess, Jagiellonian University.
The intensely social lifestyle of our species entails that we are constantly trying to see the world through other people’s eyes, by adopting their perspective. Small wonder therefore, that perspective taking is crucial to the interpretation of language, too. Languages are equipped with a wide range of linguistic means to anchor utterances to their contexts, such as pronouns, tenses, evaluative expressions and particles. While such elements are mostly used from the perspective of the speaker, they can also be used from the perspective of someone else. The perspectival behaviour of many individual linguistic classes has been studied in linguistics, but the perspectival complexity of natural languages raises many questions which remain unanswered.
This complexity becomes even greater and more prominent in narrative discourse. For one thing, in such discourses we typically have a (linguistically constructed) narrator in addition to the (flesh-and-blood) author. What’s more, the anchoring time can be dissociated from the narrator’s actual now (as in the historical use of the present tense), and, even more fascinatingly, we sometimes seem to be ‘within another person’s consciousness’. No wonder then that in recent years narrative perspective, originally the domain of text linguists and narratologists, has increasingly come into focus of researchers in many other disciplines concerned with language, including cognitive linguistics, (formal) semantics, philosophy of language, and psycholinguistics.
This Special Collection brings together some key insights but also challenges formulated by these different strands of research. It is edited by Prof. Dr. Corien Bary, Dr. Leopold Hess and Kees Thijs (MA). Their work is supported by the EU under FP7, ERC Starting Grant 338421-Perspective.
The Language of Perspective
VPIP: A Lexical Identification Procedure for Perceptual, Cognitive, and Emotional Viewpoint in Narrative Discourse
Lynn S. Eekhof, Kobie van Krieken and José Sanders
2020-06-03 Volume 6 • Issue 1 • 2020 • 18
Also a part of:
Variations in Viewpoint Presentation: The ‘Pear Story’ as Told by People with a Schizophrenia Diagnosis
Linde van Schuppen, Kobie van Krieken and José Sanders
2020-07-02 Volume 6 • Issue 2 • 2020 • 2
Also a part of:
Who Perceives? Who Thinks? Anchoring Free Reports of Perception and Thought in Narratives
Sofia Bimpikou
2020-07-23 Volume 6 • Issue 2 • 2020 • 7
Also a part of:
Commonalities and Differences in the Interpretation of Predicates of Personal Taste vs. Relational Locative Expressions: Some Theoretical Considerations and Experimental Evidence
Klages Johanna, Anke Holler, Elsi Kaiser and Thomas Weskott
2020-09-09 Volume 6 • Issue 2 • 2020 • 10
Also a part of:
Parameters of Narrative Perspectivization: The Narrator
Sonja Zeman
2020-12-10 Volume 6 • Issue 2 • 2020 • 28
Also a part of:
Special Collections
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Humour as a Human Right
Cultural Heritage Data for Research: Opening Museum Collections, Project Data and Digital Images for Research, Query and Discovery
Literature as Imaginary Archive: Ephemera and Modern Literary Production
Caliban's Mirror: Reflections of James Joyce and Oscar Wilde
Cultural Representations of Machine Vision
The Public Curatorship of the Medieval Past
Medieval Minds and Matter
Representing the Medieval in Popular Culture: Remembering the Angevins
The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty
Production Archives 03: Archival Practices
Production Archives 02: Production Contexts
Production Archives 01: Puppets for Action
Representing Classical Music in the Twenty-First Century
The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine
Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age
Local and Universal in Irish Literature and Culture
Reading in Ruins: Exploring Posthumanist Narrative Studies
The Language of Perspective
Nancy Astor, Public Women and Gendered Political Culture in Interwar Britain
The Working-Class Avant-Garde
Colonialities in Dispute: Discourses on Colonialism and Race in the Spanish State
Powering the Future: Energy Resources in Science Fiction and Fantasy
Writers and Intellectuals on Britain and Europe, 1918–2018
Literature, Law and Psychoanalysis
Muslims in the Media
Encounters between Asian and Western Art in the 20th and 21st centuries: a liberating influence for Asia?
Waste: Disposability, Decay, and Depletion
Pride Revisited: Cinema, Activism and Re-Activation
New Approaches to Late Medieval Court Records
Utopian Art and Literature from Modern India
Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives
Representing Climate: Local to Global
Cultivating Spheres: Agriculture, Technical Communication, and the Publics
Freedom After Neoliberalism
The Medieval Brain
Remaking Collections
New Approaches to Medieval Water Studies
Imaginaries of the Future 01: Bodies and Media
Imaginaries of the Future 02: Politics, Poetics, Place
Imaginaries of the Future 03: Utopia at the Border
Postcolonial Perspectives in Game Studies
Station Eleven and Twenty-First-Century Writing
#Agreement20
What’s Left? Marxism, Literature and Culture in the 21st Century
New Voices in Jewish-American Literature
Authors, Narratives, and Audiences in Medieval Saints’ Lives
From TV To Film
American Literature & the Transnational Marketplace
Mnemosyne
Healing Gods, Heroes and Rituals in the Graeco-Roman World
The Abolition of the University