Contemporary Perspectives on AI and Narrative is an interdisciplinary collection of articles by humanities theorists, digital authors, and artists examining how artificial intelligence intersects with storytelling, creativity, and culture in the post-transformer era. The collection is introduced by Scott Rettberg, leader of the Extending Digital Narrative research project from which the collection emerges. The collected essays span electronic literature, digital humanities, literary studies, digital anthropology, media art, game studies, pedagogy, and visual art.
Contemporary Perspectives on AI and Narrative is grounded in the history of electronic literature — computational experimental writing with roots stretching back to the beginnings of the computer — but considers narrative beyond the literary to encompass language, history, folklore, publishing, pedagogy, gaming, painting, and more. Rather than assessing whether human authors outperform machines, the collection focuses on how digital authors and artists are actively engaging, both critically and creatively, with generative AI platforms, and what new critical insights might emerge from those encounters.
The collection aims to establish an alternative to normative literary and sociological analysis by decentering commercial model assessment, foregrounding actual experimental practice, and theorizing the AI ecosystem as it interfaces with authorship and narrative today.
This collection is guest-edited by Scott Rettberg, Professor, Director, Center for Digital Narrative, University of Bergen; David Jhave Johnston, Researcher, Center for Digital Narrative, University of Bergen; Malthe Stavning Erslev, Post-Doc, Aarhus Universitet; Tuuli V. V. Hongisto, Post-Doc, University of Helsinki; Alexandra Saum Pascaul, Associate Professor, University of California, Berkeley; Haoyuan Tang, PhD Candidate, University of Bergen; Pedro Cristóvão Q Pinto, Editorial Assistant, University of Bergen.
Image: Scott Rettberg, ‘Filtered stones at Solstrand, under glass’.
Editors: Scott Rettberg (Guest Editor), David Jhave Johnston (Guest Editor), Malthe Stavning Erslev (Guest Editor), Tuuli Vilja Vellamo Hongisto (Guest Editor), Alex Saum-Pascual (Guest Editor), Haoyuan Tang (Guest Editor), Pedro Pinto (Guest Editor)
Contemporary Perspectives on AI and Narrative
Special Collections
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Contemporary Perspectives on AI and Narrative
Beyond Text: Cross-disciplinary Perspectives on Textuality
Visual Rhetorics of Humour: The Formation and Dissemination of Stereotypes through Cartoons and Memes
Global Premodern Literature in the Digital Age: The Seven Sages of Rome/ Sindbad/ Syntipas/ Dolopathos
Diversity and Competition within the Latin Church: The Secular-Mendicant Controversy and its Long Aftermath (13th–20th Centuries)
Thinking the Political: Theory, Literature, Practice
Gaming and the Humanities: Interdisciplinary Essays on The Last of Us (2013-)
Poetry Off the Page: Intersecting Practices and Traditions in British Poetry Performance
Humour as a Human Right
Cultural Heritage Data for Research: Opening Museum Collections, Project Data and Digital Images for Research, Query and Discovery
Literature as Imaginary Archive: Ephemera and Modern Literary Production
Caliban's Mirror: Reflections of James Joyce and Oscar Wilde
Cultural Representations of Machine Vision
The Public Curatorship of the Medieval Past
Medieval Minds and Matter
Representing the Medieval in Popular Culture: Remembering the Angevins
The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty
Production Archives 03: Archival Practices
Production Archives 02: Production Contexts
Production Archives 01: Puppets for Action
Representing Classical Music in the Twenty-First Century
The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine
Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age
Local and Universal in Irish Literature and Culture
Reading in Ruins: Exploring Posthumanist Narrative Studies
The Language of Perspective
Nancy Astor, Public Women and Gendered Political Culture in Interwar Britain
The Working-Class Avant-Garde
Colonialities in Dispute: Discourses on Colonialism and Race in the Spanish State
Powering the Future: Energy Resources in Science Fiction and Fantasy
Writers and Intellectuals on Britain and Europe, 1918–2018
Literature, Law and Psychoanalysis
Muslims in the Media
Encounters between Asian and Western Art in the 20th and 21st centuries: a liberating influence for Asia?
Waste: Disposability, Decay, and Depletion
Pride Revisited: Cinema, Activism and Re-Activation
New Approaches to Late Medieval Court Records
Utopian Art and Literature from Modern India
Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives
Representing Climate: Local to Global
Cultivating Spheres: Agriculture, Technical Communication, and the Publics
Freedom After Neoliberalism
The Medieval Brain
Remaking Collections
New Approaches to Medieval Water Studies
Imaginaries of the Future 01: Bodies and Media
Imaginaries of the Future 02: Politics, Poetics, Place
Imaginaries of the Future 03: Utopia at the Border
Postcolonial Perspectives in Game Studies
Station Eleven and 21st-Century Writing
#Agreement20
What’s Left? Marxism, Literature and Culture in the 21st Century
New Voices in Jewish-American Literature
Authors, Narratives, and Audiences in Medieval Saints’ Lives
From TV To Film
American Literature & the Transnational Marketplace
Mnemosyne
Healing Gods, Heroes and Rituals in the Graeco-Roman World
The Abolition of the University