‘Humour as a Human Right’ delves into the often-overlooked intersection of humour and human rights. This special collection explores humour’s multifaceted role in expressing, challenging, and negotiating individual and collective rights. Its varied contributions bridge disciplinary gaps, drawing insights from fields like Humour Studies, Human Rights Discourse, Philosophy, Literature, Law, Technology, Political Science, History, Sociology, Media Studies, Gender, and Disability Studies.
The originality of this project lies in its comprehensive and collaborative approach, filling a gap in current scholarship. While existing studies treat humour and human rights separately, this collection brings them together, offering a perspective that enriches individual disciplines and contributes to the development of new humanities studies frameworks.
The collection’s societal relevance is evident in its exploration of topics such as humour in paediatric palliative care or zones of war, and its use as a resilience tool by marginalised groups. It not only informs healthcare practices and policymaking but also challenges societal attitudes. On a broader scale, this collection stimulates public discourse, challenging traditional notions of the role of humour in human rights. It not only addresses academic gaps but also holds the potential to make a substantial impact on society, fostering inclusivity and equity.
Editors: Benjamin Nickl (Guest Editor), Rodney Taveira (Guest Editor)
Humour as a Human Right
Tim Renkow’s Jerk: Cringe Comedy, Disability and Political Correctness
Emma Sullivan
2024-07-31 Volume 10 • Issue 2 • 2024
Also a part of:
Special Collections
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Humour as a Human Right
Cultural Heritage Data for Research: Opening Museum Collections, Project Data and Digital Images for Research, Query and Discovery
Literature as Imaginary Archive: Ephemera and Modern Literary Production
Caliban's Mirror: Reflections of James Joyce and Oscar Wilde
Cultural Representations of Machine Vision
The Public Curatorship of the Medieval Past
Medieval Minds and Matter
Representing the Medieval in Popular Culture: Remembering the Angevins
The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty
Production Archives 03: Archival Practices
Production Archives 02: Production Contexts
Production Archives 01: Puppets for Action
Representing Classical Music in the Twenty-First Century
The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine
Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age
Local and Universal in Irish Literature and Culture
Reading in Ruins: Exploring Posthumanist Narrative Studies
The Language of Perspective
Nancy Astor, Public Women and Gendered Political Culture in Interwar Britain
The Working-Class Avant-Garde
Colonialities in Dispute: Discourses on Colonialism and Race in the Spanish State
Powering the Future: Energy Resources in Science Fiction and Fantasy
Writers and Intellectuals on Britain and Europe, 1918–2018
Literature, Law and Psychoanalysis
Muslims in the Media
Encounters between Asian and Western Art in the 20th and 21st centuries: a liberating influence for Asia?
Waste: Disposability, Decay, and Depletion
Pride Revisited: Cinema, Activism and Re-Activation
New Approaches to Late Medieval Court Records
Utopian Art and Literature from Modern India
Right-Wing Populism and Mediated Activism: Creative Responses and Counter-Narratives
Representing Climate: Local to Global
Cultivating Spheres: Agriculture, Technical Communication, and the Publics
Freedom After Neoliberalism
The Medieval Brain
Remaking Collections
New Approaches to Medieval Water Studies
Imaginaries of the Future 01: Bodies and Media
Imaginaries of the Future 02: Politics, Poetics, Place
Imaginaries of the Future 03: Utopia at the Border
Postcolonial Perspectives in Game Studies
Station Eleven and Twenty-First-Century Writing
#Agreement20
What’s Left? Marxism, Literature and Culture in the 21st Century
New Voices in Jewish-American Literature
Authors, Narratives, and Audiences in Medieval Saints’ Lives
From TV To Film
American Literature & the Transnational Marketplace
Mnemosyne
Healing Gods, Heroes and Rituals in the Graeco-Roman World
The Abolition of the University