Articles

385 results

The Contagious Effects of Rural Violence: Social Pathologies and Injured Bodies in Blasco Ibáñez’s La barraca (The Cabin)
The Contagious Effects of Rural Violence: Social Pathologies and Injured Bodies in Blasco Ibáñez’s La barraca (The Cabin)

Katharine Anne Murphy

2022-05-16 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

Writers and Intellectuals on Britain and Europe, 1918-2018: An Introduction
Writers and Intellectuals on Britain and Europe, 1918-2018: An Introduction

Ann-Marie Einhaus and Kristian Shaw

2022-05-12 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Writers and Intellectuals on Britain and Europe, 1918–2018

Modern Indian Utopian Art and Literature: An Introduction
Modern Indian Utopian Art and Literature: An Introduction

Barnita Bagchi and Sukla Chatterjee

2022-05-06 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Utopian Art and Literature from Modern India

Contagious Otherness: Translating Communicable Diseases in the Modern Italian and Francophone Novel
Contagious Otherness: Translating Communicable Diseases in the Modern Italian and Francophone Novel

Marta Arnaldi

2022-04-06 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

‘A Crisis of Transition’: Menstruation and the Psychiatrisation of the Female Lifecycle in 19th-Century Edinburgh
‘A Crisis of Transition’: Menstruation and the Psychiatrisation of the Female Lifecycle in 19th-Century Edinburgh

Jessica Campbell and Gayle Davis

2022-03-28 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

The Puppet and the Puppet-Master in Ancient Greece: Fragments of an Art Form
The Puppet and the Puppet-Master in Ancient Greece: Fragments of an Art Form

Mali Annika Skotheim

2022-03-28 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Production Archives 01: Puppets for Action

The Red Gown: Reflections on the In/Visibility of Menstruation in Scotland
The Red Gown: Reflections on the In/Visibility of Menstruation in Scotland

Camilla Mørk Røstvik, Bee Hughes and Catherine Spencer

2022-03-03 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"
Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"

Filipa da Gama Calado

2022-02-14 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Researching the Researchers: The Impact of Menstrual Stigma on the Study of Menstruation
Researching the Researchers: The Impact of Menstrual Stigma on the Study of Menstruation

Lara Owen

2022-02-11 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear
Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear

Riley Hanick

2022-02-04 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media
The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media

Donal Harris

2022-01-20 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka
From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka

Karolina Koczynska

2022-01-18 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang
Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang

Zach Pearl

2022-01-14 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces
'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces

Diogo Marques

2022-01-13 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Introduction: Representation in/of Classical Music
Introduction: Representation in/of Classical Music

Adrian Curtin and Adam Whittaker

2022-01-11 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

ringl + pit: (Un)figuring the New Woman
ringl + pit: (Un)figuring the New Woman

Stephanie Danielle Bender

2022-01-11 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

In the Beginning There Were Dragon(cillo)s: Using Shadow Puppetry to Engage Young Audiences
In the Beginning There Were Dragon(cillo)s: Using Shadow Puppetry to Engage Young Audiences

Esther Fernández, Jason Yancey, Jonathan Wade and Jared White

2022-01-07 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Production Archives 01: Puppets for Action

Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe
Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe

- Sharanya

2022-01-07 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Staging Scores: Devising Contemporary Performances from Classical Music
Staging Scores: Devising Contemporary Performances from Classical Music

Michael David Pinchbeck and Kevin Egan

2022-01-04 Volume 8 • Issue 1 • 2022

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Illness, Aesthetics, and Body Politics: Forging the Third Republic in Émile Zola's 'La Faute de l'abbé Mouret'
Illness, Aesthetics, and Body Politics: Forging the Third Republic in Émile Zola's 'La Faute de l'abbé Mouret'

Kit Yee Wong

2021-12-23 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

Uniting the Nation through Transcending Menstrual Blood: The Period Products Act in Historical Perspective
Uniting the Nation through Transcending Menstrual Blood: The Period Products Act in Historical Perspective

Bettina Bildhauer

2021-12-22 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

The Phenomenal Side of the Operatic Performance: Implications of Promotion Strategies on Cinematic Representations of the 21st Century
The Phenomenal Side of the Operatic Performance: Implications of Promotion Strategies on Cinematic Representations of the 21st Century

Johanna Ethnersson Pontara

2021-12-21 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Meaning after Humanism? On Reading in Ruins
Meaning after Humanism? On Reading in Ruins

Julia Hoydis and Roman Bartosch

2021-12-16 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Reading in Ruins: Exploring Posthumanist Narrative Studies

Doubling, Decay and Discontinuity: Pathology and the (post)human body in Marie Darrieussecq’s Notre vie dans les forêts
Doubling, Decay and Discontinuity: Pathology and the (post)human body in Marie Darrieussecq’s Notre vie dans les forêts

Francoise Campbell

2021-12-06 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

Classical Music Goes Viral: Memeings and Meanings of Classical Music in the Wake of Coronavirus
Classical Music Goes Viral: Memeings and Meanings of Classical Music in the Wake of Coronavirus

Sverker Hyltén-Cavallius

2021-10-15 Volume 7 • Issue 2 • 2021

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century