Articles

‘Wherever You Are Whenever You Want’: Captivating and Encouraging Music Experiences when Symphony Orchestra Performances are Provided Online
‘Wherever You Are Whenever You Want’: Captivating and Encouraging Music Experiences when Symphony Orchestra Performances are Provided Online

Åsa Bergman

2021-09-03 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Dialogues with the Machine, or Ruins of Closure and Control in Interactive Digital Narratives
Dialogues with the Machine, or Ruins of Closure and Control in Interactive Digital Narratives

Julia Hoydis

2021-08-25 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Reading in Ruins: Exploring Posthumanist Narrative Studies

Céspedes y la colonialidad del archivo: historias de negritud y fuga en la modernidad española peninsular
Céspedes y la colonialidad del archivo: historias de negritud y fuga en la modernidad española peninsular

Esther Mayoko Ortega Arjonilla

2021-08-24 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Colonialities in Dispute: Discourses on Colonialism and Race in the Spanish State

Caught in the Regime: Classical Music and the Individual in the Contemporary Novel
Caught in the Regime: Classical Music and the Individual in the Contemporary Novel

Katie Harling-Lee

2021-08-24 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema
Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema

Tobias Pontara

2021-08-11 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

From Unspeakability to Inequality Talk: Why Conversations about Inequalities May Not Lead to Change
From Unspeakability to Inequality Talk: Why Conversations about Inequalities May Not Lead to Change

Christina Marie Scharff

2021-07-29 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Sounding Jacqueline du Pré through Ballet: Classical Music and The Cellist (2020)
Sounding Jacqueline du Pré through Ballet: Classical Music and The Cellist (2020)

Adam Whittaker

2021-07-29 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Racial Dynamics: The Casting of Lucian Msamati as Salieri in the National Theatre’s 2016 Production of Amadeus
Racial Dynamics: The Casting of Lucian Msamati as Salieri in the National Theatre’s 2016 Production of Amadeus

Adrian Curtin

2021-05-28 Representing Classical Music in the Twenty-First Century

Also a part of:

Issue: Volume 7 • Issue 1 • 2021 • Volume 7

Introduction: The Abolition of the University
Introduction: The Abolition of the University

Martin Paul Eve

2021-05-19 Volume 7 • Issue 1 • 2021 • Volume 7

Also a part of:

Special Collection: The Abolition of the University

The Future of the Open Library of Humanities: Milestones, Governance, and Sustainability
The Future of the Open Library of Humanities: Milestones, Governance, and Sustainability

Martin Paul Eve and Rose Harris-Birtill

2021-05-12 Volume 7 • Issue 1 • 2021 • Volume 7