Articles

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Plastic Heart: Surface All the Way Through
Plastic Heart: Surface All the Way Through

Kirsty Robertson, Heather Davis, Kelly Wood, Tegan Moore and Kelly Jazvac

2023-10-13 Volume 9 • Issue 2 • 2023

Pixel, Partition, Persona: Machine Vision and Face Recognition in Kazuo Ishiguro’s Klara and the Sun
Pixel, Partition, Persona: Machine Vision and Face Recognition in Kazuo Ishiguro’s Klara and the Sun

Tyne Daile Sumner

2023-09-28 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Cultural Representations of Machine Vision

Machine Visions: Mapping Depictions of Machine Vision through Critical Image Synthesis
Machine Visions: Mapping Depictions of Machine Vision through Critical Image Synthesis

Richard Carter

2023-09-05 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Cultural Representations of Machine Vision

Conflicts and Crises, Dialogues and (Dis-)Connections: Renegotiations of Identities through Irish Narratives of Community
Conflicts and Crises, Dialogues and (Dis-)Connections: Renegotiations of Identities through Irish Narratives of Community

Alessandra Boller

2023-08-18 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture

Playing with the Mind: Magic Tricks in Late Medieval Europe
Playing with the Mind: Magic Tricks in Late Medieval Europe

Vanessa da Silva Baptista

2023-07-10 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Medieval Minds and Matter

Borders, Burials, and the Extended Mind in Early Medieval England: Genesis A and Apple Down
Borders, Burials, and the Extended Mind in Early Medieval England: Genesis A and Apple Down

Michael D. J. Bintley

2023-06-29 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Medieval Minds and Matter

Azeem and the Witch: Race, Disability, and Medievalisms in Robin Hood: Prince of Thieves
Azeem and the Witch: Race, Disability, and Medievalisms in Robin Hood: Prince of Thieves

Rachel Ellen Clark

2023-06-22 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty
Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty

Krisztina Kodó

2023-04-17 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture

Sex, Politics, Religion: Teaching Challenging Medievalisms with Becket (1964) and The Lion in Winter (1968)
Sex, Politics, Religion: Teaching Challenging Medievalisms with Becket (1964) and The Lion in Winter (1968)

Lucy Christine Barnhouse

2023-04-17 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Who Put the ‘a’ in ‘Thomas a Becket’? The History of a Name from the Angevins to the 18th Century
Who Put the ‘a’ in ‘Thomas a Becket’? The History of a Name from the Angevins to the 18th Century

John Jenkins

2023-03-24 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Musikalische Autonomie und das Gesamtkunstwerk: Eduard Hanslick und Richard Wagner im Dialog mit der Idealistischen Musikästhetik
Musikalische Autonomie und das Gesamtkunstwerk: Eduard Hanslick und Richard Wagner im Dialog mit der Idealistischen Musikästhetik

Alexander Wilfing

2023-03-17 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Production Archives 02: Production Contexts

‘Normans’ vs. ‘Saxons’: Cinematic Imaginaries of Race and Nation in Angevin England, 1938–1964
‘Normans’ vs. ‘Saxons’: Cinematic Imaginaries of Race and Nation in Angevin England, 1938–1964

Esther Liberman Cuenca

2023-03-14 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Richard the Lionheart, Contested Queerness, and Crusading Memory
Richard the Lionheart, Contested Queerness, and Crusading Memory

Hilary M Rhodes

2023-03-06 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Lost in Fragmentation: On How to Deal with Fragments of a Special Performance Form from Mali in the Collection KOLK 17 in Lübeck
Lost in Fragmentation: On How to Deal with Fragments of a Special Performance Form from Mali in the Collection KOLK 17 in Lübeck

Sonja Riehn

2023-02-07 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Production Archives 01: Puppets for Action

Changing Menstrual Habits in Late 20th- and Early 21st-Century Russia
Changing Menstrual Habits in Late 20th- and Early 21st-Century Russia

Pavel Vasilyev and Alexandra Konovalova

2023-02-07 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

‘Seanachie to the New World’: Seumas MacManus and the Transatlantic Appeal of Irish Local Colour
‘Seanachie to the New World’: Seumas MacManus and the Transatlantic Appeal of Irish Local Colour

Christopher Cusack

2022-11-21 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture

A Wilder Joyce: Influence, Borrowing, Appropriation, Theft
A Wilder Joyce: Influence, Borrowing, Appropriation, Theft

S. E. Gontarski

2022-11-02 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: Production Archives 02: Production Contexts

Glocal Irish Village Imaginaries: the Local-colour Stories of Erminda Rentoul Esler and Katherine Frances Purdon
Glocal Irish Village Imaginaries: the Local-colour Stories of Erminda Rentoul Esler and Katherine Frances Purdon

Giulia Bruna

2022-10-18 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture

‚Tradition und Moderne‘: Egon Wellesz’ Imagination des barocken Gesamtkunstwerks
‚Tradition und Moderne‘: Egon Wellesz’ Imagination des barocken Gesamtkunstwerks

Meike Wilfing-Albrecht

2022-09-02 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: Production Archives 02: Production Contexts

Briefing Paper: Assessing the Period Products (Free Provision) (Scotland) Act 2021 as Model Menstruation Legislation
Briefing Paper: Assessing the Period Products (Free Provision) (Scotland) Act 2021 as Model Menstruation Legislation

Bettina Bildhauer, Camilla Mork Røstvik and Sharra L Vostral

2022-08-22 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

Periods and the Menstrualscape: Menstrual Products and Menstrual Manifestations in Scotland, 1870–2020
Periods and the Menstrualscape: Menstrual Products and Menstrual Manifestations in Scotland, 1870–2020

Sharra L Vostral

2022-08-19 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

Access to Menstrual Resources as a Public Health Issue in the US and Scotland
Access to Menstrual Resources as a Public Health Issue in the US and Scotland

Noelle Elizabeth Spencer

2022-08-19 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

The Gift of Happy Memories: A World War II Christmas Puppet Play in Ravensbrück
The Gift of Happy Memories: A World War II Christmas Puppet Play in Ravensbrück

Cynthia Lisa Dretel

2022-08-18 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: Production Archives 01: Puppets for Action

‘Responsible Body’: Menstrual Education Films and Sex Education in the United States and Scotland, 1970s–1980s
‘Responsible Body’: Menstrual Education Films and Sex Education in the United States and Scotland, 1970s–1980s

Saniya Lee Ghanoui

2022-08-03 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

Learning from Psychiatry? Gottfried Benn, Alfred Döblin, and the Limits of ‘Narrative Medicine’
Learning from Psychiatry? Gottfried Benn, Alfred Döblin, and the Limits of ‘Narrative Medicine’

Robert Craig

2022-07-18 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine