Articles

‘A Crisis of Transition’: Menstruation and the Psychiatrisation of the Female Lifecycle in 19th-Century Edinburgh
‘A Crisis of Transition’: Menstruation and the Psychiatrisation of the Female Lifecycle in 19th-Century Edinburgh

Jessica Campbell and Gayle Davis

2022-03-28 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish campaign to End Period Poverty

The Puppet and the Puppet-Master in Ancient Greece: Fragments of an Art Form
The Puppet and the Puppet-Master in Ancient Greece: Fragments of an Art Form

Mali Annika Skotheim

2022-03-28 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Production Archives 01: Puppets for Action

The Red Gown: Reflections on the In/Visibility of Menstruation in Scotland
The Red Gown: Reflections on the In/Visibility of Menstruation in Scotland

Camilla Mørk Røstvik, Bee Hughes and Catherine Spencer

2022-03-03 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish campaign to End Period Poverty

Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"
Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"

Filipa da Gama Calado

2022-02-14 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Researching the Researchers: The Impact of Menstrual Stigma on the Study of Menstruation
Researching the Researchers: The Impact of Menstrual Stigma on the Study of Menstruation

Lara Owen

2022-02-11 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish campaign to End Period Poverty

Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear
Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear

Riley Hanick

2022-02-04 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media
The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media

Donal Harris

2022-01-20 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka
From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka

Karolina Koczynska

2022-01-18 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang
Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang

Zach Pearl

2022-01-14 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces
'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces

Diogo Marques

2022-01-13 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age