Articles

Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe
Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe

- Sharanya

2022-01-07 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Staging Scores: Devising Contemporary Performances from Classical Music
Staging Scores: Devising Contemporary Performances from Classical Music

Michael David Pinchbeck and Kevin Egan

2022-01-04 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Illness, Aesthetics, and Body Politics: Forging the Third Republic in Émile Zola's 'La Faute de l'abbé Mouret'
Illness, Aesthetics, and Body Politics: Forging the Third Republic in Émile Zola's 'La Faute de l'abbé Mouret'

Kit Yee Wong

2021-12-23 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

Uniting the Nation through Transcending Menstrual Blood: The Period Products Act in Historical Perspective
Uniting the Nation through Transcending Menstrual Blood: The Period Products Act in Historical Perspective

Bettina Bildhauer

2021-12-22 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish campaign to End Period Poverty

The Phenomenal Side of the Operatic Performance: Implications of Promotion Strategies on Cinematic Representations of the 21st Century
The Phenomenal Side of the Operatic Performance: Implications of Promotion Strategies on Cinematic Representations of the 21st Century

Johanna Ethnersson Pontara

2021-12-21 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Meaning after Humanism? On Reading in Ruins
Meaning after Humanism? On Reading in Ruins

Julia Hoydis and Roman Bartosch

2021-12-16 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Reading in Ruins: Exploring Posthumanist Narrative Studies

Doubling, Decay and Discontinuity: Pathology and the (post)human body in Marie Darrieussecq’s Notre vie dans les forêts
Doubling, Decay and Discontinuity: Pathology and the (post)human body in Marie Darrieussecq’s Notre vie dans les forêts

Francoise Campbell

2021-12-06 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine

Classical Music Goes Viral: Memeings and Meanings of Classical Music in the Wake of Coronavirus
Classical Music Goes Viral: Memeings and Meanings of Classical Music in the Wake of Coronavirus

Sverker Hyltén-Cavallius

2021-10-15 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation
Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation

Michaela Weiss and Miroslav Urbanec

2021-09-16 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

The Transhumanist Creep: Posthumanism, Pedagogy, and the Praxeological Mangle
The Transhumanist Creep: Posthumanism, Pedagogy, and the Praxeological Mangle

Roman Bartosch

2021-09-03 Volume 7 • Issue 2 • 2021 • Volume 7

Also a part of:

Special Collection: Reading in Ruins: Exploring Posthumanist Narrative Studies