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The Lives Have It: Curating the Medieval Past at English Heritage Castles
The Lives Have It: Curating the Medieval Past at English Heritage Castles

William Wyeth

2023-11-13 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: The Public Curatorship of the Medieval Past

Machinic Visibility in Platform Discourses: Ubiquitous Interfaces for Precarious Users
Machinic Visibility in Platform Discourses: Ubiquitous Interfaces for Precarious Users

Nuno Atalaia and Rianne Riemens

2023-11-08 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Cultural Representations of Machine Vision

‘The Substance of Paint’: Class and Materiality in the Work of Ralph Balson
‘The Substance of Paint’: Class and Materiality in the Work of Ralph Balson

Georgina O'Donnell Cole and Shane Michael Haseman

2023-11-06 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: The Working-Class Avant-Garde

Machine Vision and Tagging Aesthetics: Assembling Socio-Technical Subjects through New Media Art
Machine Vision and Tagging Aesthetics: Assembling Socio-Technical Subjects through New Media Art

Nicola Bozzi

2023-10-30 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Cultural Representations of Machine Vision

Early Medieval Language and Literature as Heritage: a Sutton Hoo Case Study
Early Medieval Language and Literature as Heritage: a Sutton Hoo Case Study

Fran Allfrey

2023-10-23 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: The Public Curatorship of the Medieval Past

Hacking Surveillance Cameras, Tricking AI and Disputing Biases: Artistic Critiques of Machine Vision
Hacking Surveillance Cameras, Tricking AI and Disputing Biases: Artistic Critiques of Machine Vision

Linda Kronman

2023-10-18 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Cultural Representations of Machine Vision

(Un)staþolfæstnes and its Problems: Grounding Minds in Early Medieval England
(Un)staþolfæstnes and its Problems: Grounding Minds in Early Medieval England

Merel Veldhuizen

2023-10-17 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Medieval Minds and Matter

Plastic Heart: Surface All the Way Through
Plastic Heart: Surface All the Way Through

Kirsty Robertson, Heather Davis, Kelly Wood, Tegan Moore and Kelly Jazvac

2023-10-13 Volume 9 • Issue 2 • 2023

Pixel, Partition, Persona: Machine Vision and Face Recognition in Kazuo Ishiguro’s Klara and the Sun
Pixel, Partition, Persona: Machine Vision and Face Recognition in Kazuo Ishiguro’s Klara and the Sun

Tyne Daile Sumner

2023-09-28 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Cultural Representations of Machine Vision

Machine Visions: Mapping Depictions of Machine Vision through Critical Image Synthesis
Machine Visions: Mapping Depictions of Machine Vision through Critical Image Synthesis

Richard Carter

2023-09-05 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Cultural Representations of Machine Vision

Conflicts and Crises, Dialogues and (Dis-)Connections: Renegotiations of Identities through Irish Narratives of Community
Conflicts and Crises, Dialogues and (Dis-)Connections: Renegotiations of Identities through Irish Narratives of Community

Alessandra Boller

2023-08-18 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture

Playing with the Mind: Magic Tricks in Late Medieval Europe
Playing with the Mind: Magic Tricks in Late Medieval Europe

Vanessa da Silva Baptista

2023-07-10 Volume 9 • Issue 2 • 2023

Also a part of:

Special Collection: Medieval Minds and Matter

Borders, Burials, and the Extended Mind in Early Medieval England: Genesis A and Apple Down
Borders, Burials, and the Extended Mind in Early Medieval England: Genesis A and Apple Down

Michael D. J. Bintley

2023-06-28 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Medieval Minds and Matter

Azeem and the Witch: Race, Disability, and Medievalisms in Robin Hood: Prince of Thieves
Azeem and the Witch: Race, Disability, and Medievalisms in Robin Hood: Prince of Thieves

Rachel Ellen Clark

2023-06-22 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty
Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty

Krisztina Kodó

2023-04-17 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture

Sex, Politics, Religion: Teaching Challenging Medievalisms with Becket (1964) and The Lion in Winter (1968)
Sex, Politics, Religion: Teaching Challenging Medievalisms with Becket (1964) and The Lion in Winter (1968)

Lucy Christine Barnhouse

2023-04-17 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Who Put the ‘a’ in ‘Thomas a Becket’? The History of a Name from the Angevins to the 18th Century
Who Put the ‘a’ in ‘Thomas a Becket’? The History of a Name from the Angevins to the 18th Century

John Jenkins

2023-03-24 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Musikalische Autonomie und das Gesamtkunstwerk: Eduard Hanslick und Richard Wagner im Dialog mit der Idealistischen Musikästhetik
Musikalische Autonomie und das Gesamtkunstwerk: Eduard Hanslick und Richard Wagner im Dialog mit der Idealistischen Musikästhetik

Alexander Wilfing

2023-03-16 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Production Archives 02: Production Contexts

‘Normans’ vs. ‘Saxons’: Cinematic Imaginaries of Race and Nation in Angevin England, 1938–1964
‘Normans’ vs. ‘Saxons’: Cinematic Imaginaries of Race and Nation in Angevin England, 1938–1964

Esther Liberman Cuenca

2023-03-13 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Richard the Lionheart, Contested Queerness, and Crusading Memory
Richard the Lionheart, Contested Queerness, and Crusading Memory

Hilary M Rhodes

2023-03-06 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Representing the Medieval in Popular Culture: Remembering the Angevins

Lost in Fragmentation: On How to Deal with Fragments of a Special Performance Form from Mali in the Collection KOLK 17 in Lübeck
Lost in Fragmentation: On How to Deal with Fragments of a Special Performance Form from Mali in the Collection KOLK 17 in Lübeck

Sonja Riehn

2023-02-06 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: Production Archives 01: Puppets for Action

Changing Menstrual Habits in Late 20th- and Early 21st-Century Russia
Changing Menstrual Habits in Late 20th- and Early 21st-Century Russia

Pavel Vasilyev and Alexandra Konovalova

2023-02-06 Volume 9 • Issue 1 • 2023

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish Campaign to End Period Poverty

‘Seanachie to the New World’: Seumas MacManus and the Transatlantic Appeal of Irish Local Colour
‘Seanachie to the New World’: Seumas MacManus and the Transatlantic Appeal of Irish Local Colour

Christopher Cusack

2022-11-21 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture

A Wilder Joyce: Influence, Borrowing, Appropriation, Theft
A Wilder Joyce: Influence, Borrowing, Appropriation, Theft

S. E. Gontarski

2022-11-01 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: Production Archives 02: Production Contexts

Glocal Irish Village Imaginaries: the Local-colour Stories of Erminda Rentoul Esler and Katherine Frances Purdon
Glocal Irish Village Imaginaries: the Local-colour Stories of Erminda Rentoul Esler and Katherine Frances Purdon

Giulia Bruna

2022-10-17 Volume 8 • Issue 2 • 2022

Also a part of:

Special Collection: Local and Universal in Irish Literature and Culture