Articles

Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"
Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"

Filipa da Gama Calado

2022-02-14 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Researching the Researchers: The Impact of Menstrual Stigma on the Study of Menstruation
Researching the Researchers: The Impact of Menstrual Stigma on the Study of Menstruation

Lara Owen

2022-02-11 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: The Politics and History of Menstruation: Contextualising the Scottish campaign to End Period Poverty

Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear
Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear

Riley Hanick

2022-02-04 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media
The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media

Donal Harris

2022-01-20 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka
From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka

Karolina Koczynska

2022-01-18 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang
Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang

Zach Pearl

2022-01-14 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces
'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces

Diogo Marques

2022-01-13 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

Introduction: Representation in/of Classical Music
Introduction: Representation in/of Classical Music

Adrian Curtin and Adam Whittaker

2022-01-11 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Representing Classical Music in the Twenty-First Century

ringl + pit: (Un)figuring the New Woman
ringl + pit: (Un)figuring the New Woman

Stephanie Danielle Bender

2022-01-11 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age

In the Beginning There Were Dragon(cillo)s: Using Shadow Puppetry to Engage Young Audiences
In the Beginning There Were Dragon(cillo)s: Using Shadow Puppetry to Engage Young Audiences

Esther Fernández, Jason Yancey, Jonathan Wade and Jared White

2022-01-07 Volume 8 • Issue 1 • 2022 • Volume 8

Also a part of:

Special Collection: Production Archives 01: Puppets for Action